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The Return of Hephaistos, Dionysiac Processional Ritual and the Creation of a Visual Narrative
16 references·12 citing·33 second hop
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this work references cited by second hop

References

  • 1993Shame and Necessity2,122 cited
  • 1982Art and Ceremony in Late Antiquity708 cited
  • 1974Studies in Greek Elegy and Iambus655 cited
  • 1985Homo Necans: The Anthropology of Ancient Greek Sacrificial Ritual and Myth585 cited
  • 1971The myth of the eternal return, or, Cosmos and history533 cited
  • 1991Before Sexuality: The Construction of Erotic Experience in the Ancient Greek World379 cited
  • 1991Before Sexuality: The Construction of Erotic Experience in the Ancient Greek World366 cited
  • 1994Pindar's Homer337 cited
  • 1970Triumphus330 cited
  • 1994Sympotica: A Symposium on the Symposion309 cited
  • 1993Aristophanes285 cited
  • 1991The Uses of Laughter in Greek Culture281 cited
  • 2005Tragedy and Athenian Religion280 cited
  • 1974Eleusis und die orphische Dichtung Athens in vorhellenistischer Zeit257 cited
  • 1976The Homeric Hymn to Demeter253 cited
  • 1971Triumphus. An Inquiry into the Origin, Development and Meaning of the Roman Triumph251 cited

Cited by

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  • 2006Horsepower and Donkeywork: Equids and the Ancient Greek Imagination100 cited
  • 2006Horsepower and Donkeywork: Equids and the Ancient Greek Imagination. Part Two70 cited
  • 2021Choral Constructions in Greek Culture62 cited
  • 2014The Cambridge Companion to Greek Comedy58 cited
  • 2014The politics of Greek comedy42 cited
  • 2011BILD, MYTHOS, AND RITUAL: Choral Dance in Theseus’s Cretan Adventure on the François Vase41 cited
  • 2006“I Let Go My Force Just Touching Her Hair”: Male Sexuality in Athenian Vase-Paintings of Silens and Iambic Poetry30 cited
  • 2014The reception of Greek comedy in Rome30 cited
  • 2014Epicharmus and early Sicilian comedy30 cited
  • 2014Theiconography of comedy16 cited
  • 2012CLUBFEET AND KYPSELIDS: CONTEXTUALISING CORINTHIAN PADDED DANCERS IN THE ARCHAIC PERIOD14 cited
  • 2015Under the Open Sky: Imagining the Dionysian Landscape2 cited