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Rationalizing Culture: IRCAM, Boulez, and the Institutionalization of the Musical Avant-Garde.
0 references·16 citing·49 second hopsampled
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  • 2017From Microsound to Vaporwave: Internet-Mediated Musics, Online Methods, and Genre93 cited
  • 2016Neoliberalism and the Musical Entrepreneur85 cited
  • 2016Academic precarity as hierarchical dependence in the Max Planck Society

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84 cited
  • 2012New public management and professionals in the public sector. What new patterns beyond opposition?79 cited
  • 2015Making Time: Temporality, History, and the Cultural Object71 cited