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Form, Structure, and Musical Drama in Two Mozart Expositions
16 references·2 citing·29 second hop
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References

  • 1981Reason, Truth and History5,617 cited
  • 1998Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven698 cited
  • 2002Critical Scientific Realism621 cited
  • 1998Classical Form529 cited
  • 1991Playing with Signs386 cited
  • 1986Music Theory, Phenomenology, and Modes of Perception319 cited
  • 2004Metaphor and Musical Thought318 cited
  • 2003Conceptualizing music: cognitive structure, theory, and analysis304 cited
  • 2001Theorizing Musical Meaning244 cited
  • 1996Musical Meaning in Beethoven: Markedness, Correlation, and Interpretation219 cited
  • 1997The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition162 cited
  • 1988Music as Drama127 cited
  • 2004Metaphor and musical thought125 cited
  • 2004Chopin's Fourth Ballade as Musical Narrative99 cited
  • 1993Schubert's Experiments with Sonata Form: Formal-Tonal Design versus Underlying Structure52 cited
  • 1997Structuralism and Musical Plot44 cited

Cited by

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  • 2015Becoming Heinrich Schenker: music theory and ideology14 cited
  • 2022How Sonata Forms9 cited