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The edge of perception: sound in Tarkovsky's Stalker
6 references·0 citing·17 second hop
The edge of perception: sound in Tarkovsky's Stalker (2007)The edge of perception: sound in Tarkovsk…The Films of Andrei Tarkovsky: A Visual Fugue (1996)The Films of Andrei Tarkovsky…Time within time: the diaries, 1970-1986 (1994)Time within time: the diaries…Audio-vision: sound on screen (1994)Audio-vision: sound on screenSound theory/sound practice (1993)Sound theory/sound practiceThe cinema of Andrei Tarkovsky (1988)The cinema of Andrei TarkovskySculpting in Time (1985)Sculpting in TimePhénoménologie de la perception (1976)Unheard melodies: narrative film music (1988)The Acoustic Mirror: The Female Voice in Psychoanalysis and Cinema (1989)Qualitative Research in Sociology (2004)Soundscapes: Toward a Sounded Anthropology (2010)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)S ooner S peaking than S ilent , S ooner S ilent than M ute : S oviet D eaf T heatre and P antomime after S talin (2010)Another Steven Soderbergh experience: authorship and contemporary Hollywood (2013)Bach at the Space Station (2014)Ways of worldmaking : zur Möglichkeit einer Geo-Graphie aus der Welt (1998)Realism and Realistic Representation in the Digital Age (2010)Sorting Facts; or, Nineteen Ways of Looking at Marker (2012)Is There a Field Called Sound Culture Studies? And Does It Matter? (2005)Sound Souvenirs : Audio Technologies, Memory and Cultural Practices (2009)Sonic geographies (2013)Simulation, Simulacra andSolaris (2010)The Long Take: Messianic Time in Andrei Tarkovsky'sNostalghia (2009)
this work references cited by second hop

References

  • 1994Audio-vision: sound on screen1,584 cited
  • 1993Sound theory/sound practice570 cited
  • 1985Sculpting in Time61 cited
  • 1996The Films of Andrei Tarkovsky: A Visual Fugue44 cited
  • 1994Time within time: the diaries, 1970-198638 cited
  • 1988The cinema of Andrei Tarkovsky35 cited

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