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Cited by

• 2011Souvenirs: Icons of meaning, commercialization and commoditization351 cited
• 2001Landscapes, Memory, Monuments, and Commemoration: Putting Identity in Its Place168 cited
• 2011Networks, Agents and Objects: Frameworks for Unpacking Museum Collections55 cited
• 2010Written in the Birch Bark: The Linguistic-Material Worldmaking of Simon Pokagon51 cited
• 2017A Bundle of Relations: Collections, Collecting, and Communities49 cited
• 2006‘Primitivism’, Anthropology, and the Category of ‘Primitive Art’40 cited
• 2003Performance, Politics, and Representation: Aboriginal People and the 1860 Royal Tour of Canada37 cited
• 2011The real thing? Souvenir objects in the West African collections at the Manchester Museum32 cited
• 2018Remediating the “Famous Indian Artist”: Native Aesthetics beyond Tourism and Tragedy32 cited
• 1999‘Many tender ties’: The shifting contexts and meanings of the S BLACK bag32 cited
• 2013Native American ways of (music) history22 cited
• 2008Relational Objects: Connecting People and Things Through Pasifika Styles19 cited
• 2018Miniature dissonance and the museum space: reconsidering communication through miniaturisation17 cited
• 2015Reflexive Museology: Lost and Found