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Effector patterns of basic emotions: a psychophysiological method for training actors
3 references·16 citing·47 second hop
Effector patterns of basic emotions: a psychophysiological method for training actors (1987)Effector patterns of basic emotions: a ps…Meyerhold on Theatre (2016)Meyerhold on TheatreTowards a Poor Theatre (2012)Towards a Poor TheatreThe Empty Space (1968)The Empty SpaceNew Perspectives on Emotional Contagion: A Review of Classic and Recent Research on Facial Mimicry and Contagion (2014)New Perspectives on Emotional…Performance Psychology in the Performing Arts (2012)Performance Psychology in the…Is tenderness a basic emotion? (2010)Is tenderness a basic emotion?Movement Training for the Modern Actor (2009)Movement Training for the Mod…Movement training for the modern actor (2009)Movement training for the mod…A Theatre Acting Perspective on the Dramaturgical Metaphor and the Postmodern Self (2006)A Theatre Acting Perspective …The Expertise of Professional Actors: A review of recent research (2002)The Expertise of Professional…Principles of communication and emotion in social interaction (1996)Principles of communication a…Is love a “basic” emotion? (1996)Is love a “basic” emotion?Exhilaration and humor (1993)Exhilaration and humorDealing with Emotional Hangover: Cool-down and the Performance Cycle in Acting (1993)Dealing with Emotional Hangov…Alba Emoting: A Psychophysiological Technique to Help Actors Create and Control Real Emotions (1993)Alba Emoting: A Psychophysiol…Specific respiratory patterns distinguish among human basic emotions (1991)Specific respiratory patterns…Towards a Biological Theory of the Body in Performance (1990)Towards a Biological Theory o…managing the heart to brighten face and soul: emotions in Balinese morality and health care (1989)managing the heart to brighte…Ambivalence and Compromise in Human Nature (1989)Ambivalence and Compromise in…Attachment and Loss (1969)A circumplex model of affect. (1980)Emotion And Adaptation (1991)Levels of Valence (2013)Positive Emotion Differentiation: A Functional Approach (2014)Are All “Basic Emotions” Emotions? A Problem for the (Basic) Emotions Construct (2021)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Emotions—Their Parameters and Measurement (1976)Emotion-specific effects of facial expressions and postures on emotional experience. (1989)Post traumatic stress symptoms and heart rate variability in Bihar flood survivors following yoga: a randomized controlled study (2010)Sudarshan kriya yoga: Breathing for health (2013)The Interpretation of Cultures (1974)Emotion Work, Feeling Rules, and Social Structure (1979)Patients and Healers in the Context of Culture (1980)How many concepts of consciousness? (1995)The relations of parental emotional expressivity with quality of Indonesian children's social functioning. (2001)The Relations of Regulation and Negative Emotionality to Indonesian Children's Social Functioning (2001)The expression of the emotions in man and animals. (1872)The Principles of Psychology (1891)The Evolution of Reciprocal Altruism (1971)Negotiated Selves in the Holocaust (1993)An Affective Events Theory-Based Conceptual Model of Emotional Ambivalence in the Context of Personal Web-Usage Monitoring (2007)Cognitive, social, and physiological determinants of emotional state. (1962)Psychological stress and the coping process (1966)Culture and the Self: Implications for Cognition, Emotion, and Motivation (1991)Emotional contagion in organizational life (2018)Empathy is not in our genes (2018)Detecting, Preventing, and Mitigating Online Firestorms in Brand Communities (2019)Attachment and Loss. Vol. 1. Attachment (1972)Patterns of Attachment: A Psychological Study of the Strange Situation (1978)An attributional theory of achievement motivation and emotion. (1985)Education and the Activation, Course, and Management of Anger (2000)A Systematic Review of Adaptivity in Human-Robot Interaction (2017)Adaptive Social Robot for Sustaining Social Engagement during Long-Term Children–Robot Interaction (2017)Felt, false, and miserable smiles (1982)Personality and Individual Differences: A Natural Science Approach (1985)Will the real relationship between facial expression and affective experience please stand up: The case of exhilaration (1995)State and Trait Cheerfulness and the Induction of Exhilaration (1997)Humor Therapy: Relieving Chronic Pain and Enhancing Happiness for Older Adults (2010)The prodigal son'sRussian roots: Avant‐garde and icons (1981)An Enactive Approach to Understanding Acting (2007)The stagecraft and performance of Roman comedy (2007)A paradigm for performance studies (1987)The Cambridge Introduction to Theatre Studies (2008)Black Box, White Cube, Gray Zone: Dance Exhibitions and Audience Attention (2018)Visionary leadership and strategic management (1989)The Winter of Our Discontent: The Design Challenge for Business Schools (2009)
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References

  • 1968The Empty Space631 cited
  • 2012Towards a Poor Theatre497 cited
  • 2016Meyerhold on Theatre93 cited

Cited by

  • 2014New Perspectives on Emotional Contagion: A Review of Classic and Recent Research on Facial Mimicry and Contagion377 cited
  • 1996Is love a “basic” emotion?172 cited
  • 1993Exhilaration and humor155 cited
  • 1991Specific respiratory patterns distinguish among human basic emotions148 cited
  • 1996Principles of communication and emotion in social interaction135 cited
  • 1989managing the heart to brighten face and soul: emotions in Balinese morality and health care111 cited
  • 1989Ambivalence and Compromise in Human Nature74 cited
  • 2010Is tenderness a basic emotion?69 cited
  • 1993Alba Emoting: A Psychophysiological Technique to Help Actors Create and Control Real Emotions65 cited
  • 2009Movement Training for the Modern Actor47 cited
  • 2012Performance Psychology in the Performing Arts43 cited
  • 2009Movement training for the modern actor39 cited
  • 2002The Expertise of Professional Actors: A review of recent research

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38 cited
  • 1990Towards a Biological Theory of the Body in Performance23 cited
  • 2006A Theatre Acting Perspective on the Dramaturgical Metaphor and the Postmodern Self20 cited
  • 1993Dealing with Emotional Hangover: Cool-down and the Performance Cycle in Acting17 cited