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Place in the Performance Experience
10 references·7 citing·29 second hop
Place in the Performance Experience (2003)Place in the Performance ExperienceArchitecture, Actor and Audience (2003)Architecture, Actor and Audie…Mapping the Terrain: a Survey of Site-Specific Performance in Britain (2002)Mapping the Terrain: a Survey…Site-Specific Art: Performance, Place and Documentation (2000)Site-Specific Art: Performanc…Landprints: Reflections on Place and Landscape (1997)Landprints: Reflections on Pl…Critical Theory and Performance (1993)Critical Theory and Performan…The Production of Space (1992)The Production of SpacePlaces of Performance: The Semiotics of Theatre Architecture (1990)Places of Performance: The Se…Space and Place: The Perspective of Experience (1979)Space and Place: The Perspect…Space and Place: The Perspective of Experience. (1978)Space and Place: The Perspect…A Prague School reader on esthetics, literary structure, and style . Selected and translated from the original Czech by Paul L. Garvin. With an appendix: A critical bibliography of Prague School writing on esthetics, literary structure, and style. (Publications of the Washington Linguistic Club, No. 1.) Pp. iv, 186, mimeographed. Washington: Washington Linguistic Club, 1955. (1955)A Prague School reader on est…Untimely Developments (2022)Untimely DevelopmentsThe Oxford Handbook of Early Modern Women's Writing in English, 1540-1700 (2022)The Oxford Handbook of Early …Receiving Early Modern Women’s Drama (2022)Receiving Early Modern Women’…Lyric Backwardness (2022)Lyric BackwardnessHow Lady Jane Grey May Have Used her Education (2022)How Lady Jane Grey May Have U…Early Modern Women, Race, and Writing Revisited (2022)Early Modern Women, Race, and…Thinking Site: An Introduction (2014)Thinking Site: An IntroductionThe Poetics of Space: (2003)Engaging with place: artists, site-specificity and the Hebden Bridge Sculpture Trail (2006)Geographies of the Performing Arts: Landscapes, Places and Cities (2012)Experimental Beckett (2020)Decolonising encounters with the Murray River: Building place responsive outdoor education (2004)Heritage and hermeneutics: towards a broader interpretation of interpretation (2009)Ecocriticism (2011)Vision, Media, Noise and the Percolation of Time (2006)The Cambridge Introduction to Theatre Studies (2008)Geography and art. An expanding field (2012)Talking science: language, learning, and values (1991)The Semiotics of Theatre and Drama (2003)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)The Cambridge Introduction to Scenography (2009)Mapping Intermediality in Performance (2011)Culture sits in places: reflections on globalism and subaltern strategies of localization (2001)The Measurement of Place Attachment: Validity and Generalizability of a Psychometric Approach (2003)Rethinking NIMBYism: The role of place attachment and place identity in explaining place‐protective action (2009)Rethinking authenticity in tourism experience (1999)Cities and the Geographies of “Actually Existing Neoliberalism” (2002)The Politics and Poetics of Infrastructure (2013)National Geographic: The Rooting of Peoples and the Territorialization of National Identity Among Scholars and Refugees (1992)A Space for Place in Sociology (2000)Place attachment: How far have we come in the last 40 years? (2010)Personal narrative, performance, performativity: Two or three things I know for sure (1999)Cultural pragmatics: social performance between ritual and strategy (2006)“Tyra Banks Is Fat”: Reading (Post-)Racism and (Post-)Feminism in the New Millennium (2009)The Cambridge History of British Theatre (2004)Shakespeare, Spectatorship and the Technologies of Performance (2020)
this work references cited by second hop

References

  • 1992The Production of Space9,639 cited
  • 1978Space and Place: The Perspective of Experience.3,733 cited
  • 1979Space and Place: The Perspective of Experience3,596 cited
  • 1993Critical Theory and Performance491 cited
  • 1955A Prague School reader on esthetics, literary structure, and style . Selected and translated from the original Czech by Paul L. Garvin. With an appendix: A critical bibliography of Prague School writing on esthetics, literary structure, and style. (Publications of the Washington Linguistic Club, No. 1.) Pp. iv, 186, mimeographed. Washington: Washington Linguistic Club, 1955.373 cited
  • 2000Site-Specific Art: Performance, Place and Documentation337 cited
  • 1990Places of Performance: The Semiotics of Theatre Architecture188 cited
  • 1997Landprints: Reflections on Place and Landscape151 cited
  • 2003Architecture, Actor and Audience138 cited
  • 2002Mapping the Terrain: a Survey of Site-Specific Performance in Britain69 cited

Cited by

  • 2014Thinking Site: An Introduction57 cited
  • 2022The Oxford Handbook of Early Modern Women's Writing in English, 1540-170023 cited
  • 2022Untimely Developments14 cited
  • 2022Receiving Early Modern Women’s Drama9 cited
  • 2022

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Early Modern Women, Race, and Writing Revisited
9 cited
  • 2022Lyric Backwardness6 cited
  • 2022How Lady Jane Grey May Have Used her Education3 cited