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SHARING KNOWLEDGE FOR THE CONSERVATION OF CONTEMPORARY ART: CHANGING ROLES IN A MUSEUM WITHOUT WALLS?
1 references·12 citing·31 second hop
SHARING KNOWLEDGE FOR THE CONSERVATION OF CONTEMPORARY ART: CHANGING ROLES IN A MUSEUM WITHOUT WALLS? (2004)SHARING KNOWLEDGE FOR THE CONSERVATION OF…The Artist's Handbook of Materials and Techniques (1940)The Artist's Handbook of Mate…Beyond skills: reflections on the tacit knowledge-brain-cognition nexus on heritage conservators (2024)Beyond skills: reflections on…Conservation of Contemporary Art (2023)Conservation of Contemporary …The Ephemeral, the Essential and the Material in the Conservation of Contemporary Art: Decision-Making for the Conservation of a Work of Art Made with Butterfly Wings (2018)The Ephemeral, the Essential …Knowledge Management, Diversity, and Professional Hierarchies in Libraries (2018)Knowledge Management, Diversi…A preservação da arte contemporânea (2018)A preservação da arte contemp…Intención artística, conservación y mutación en la obra de arte actual: una aproximación hermenéutica (2017)Intención artística, conserva…2004-6-16 to 2014-8-15: The birth and death of a work by Gu Dexin (2016)2004-6-16 to 2014-8-15: The b…MAP as a conservation method for contemporary art with foodstuffs : three case studies (2011)MAP as a conservation method …Inside Installations (2011)Inside InstallationsThe Contingency of Conservation: Changing Methodology and Theoretical Issues in Conserving Ephemeral Contemporary Artworks with Special Reference to Installation Art (2009)The Contingency of Conservati…Scoring the Work: Documenting Practice and Performance in Variable Media Art (2009)Scoring the Work: Documenting…A Conservation Conundrum: Ephemeral Art at the National Museum of African Art (2009)A Conservation Conundrum: Eph…‘THE INTENTIONAL FALLACY’ (1973)The Work of Art in the Age of Mechanical Reproduction (2007)Critique of Judgement (2010)Rentokil Bubble in Nitrogen Anoxia Treatment of Museum Pests (1997)New Art, New Challenges: The Changing Face of Conservation in the Twenty‐First Century (2006)Conservation strategy for food-based perishable art: preservation versus reconstruction illustrated byPiece in Ghentby Jason Rhoades (1994) (2015)The social life of documents (1996)The Tacit Dimension (1997)Performance Anxiety: Performance Art in Twenty-First Century Catalogs and Archives (2011)Knowledge Management in Theory and Practice (2013)The Transformation of Archival Philosophy and Practice Through Digital Art (2014)Variants of Concern: Authenticity, Conservation, and the Type-Token Distinction (2021)INTENTION AND INTERPRETATION IN LITERATURE (1974)Art Expertization, Appraisal and Valuation. Conservation Issues in the Spanish Contemporary Art Market (2021)MEANING MATTERS: COLLABORATING WITH CONTEMPORARY ARTISTS (2004)‘There is nothing more practical than a good theory’: Conceptual tools for conservation practice (2016)Mesocycles in conserving plastics (2016)Nothing Lasts Forever? Considering Lifespans in a Contemporary Collection (2024)Treatment Case Studies in the Consolidation and Adhesion of Cellulose Nitrate (2024)A Dynamic Theory of Organizational Knowledge Creation (1994)The Knowledge-creating company: How Japanese companies create the dynamics of innovation (1997)The Knowledge-Creating Company (1998)Economic Action and Social Structure: The Problem of Embeddedness (1985)Situated Knowledges: The Science Question in Feminism and the Privilege of Partial Perspective (1988)A Thousand Plateaus: Capitalism and Schizophrenia (1989)Perception and communication. (1958)Personal Knowledge: Towards a Post-Critical Philosophy (1959)The neuroscience of mindfulness meditation (2015)The identification by Raman microscopy and X-ray diffraction of iron-oxide pigments and of the red pigments found on Italian pottery fragments (1998)Study of Burseraceae resins used in binding media and varnishes from artworks by gas chromatography–mass spectrometry and pyrolysis-gas chromatography–mass spectrometry (2005)Raman microscopy and x-ray fluorescence analysis of pigments on medieval and Renaissance Italian manuscript cuttings (2010)
this work references cited by second hop

References

  • 1940The Artist's Handbook of Materials and Techniques122 cited

Cited by

  • 2009Scoring the Work: Documenting Practice and Performance in Variable Media Art21 cited
  • 2018Knowledge Management, Diversity, and Professional Hierarchies in Libraries12 cited
  • 2024Beyond skills: reflections on the tacit knowledge-brain-cognition nexus on heritage conservators9 cited
  • 2023Conservation of Contemporary Art6 cited
  • 2009A Conservation Conundrum: Ephemeral Art at the National Museum of African Art6 cited
  • 2018The Ephemeral, the Essential and the Material in the Conservation of Contemporary Art: Decision-Making for the Conservation of a Work of Art Made with Butterfly Wings3 cited
  • 2009The Contingency of Conservation: Changing Methodology and Theoretical Issues in Conserving Ephemeral Contemporary Artworks with Special Reference to Installation Art3 cited
  • 2011MAP as a conservation method for contemporary art with foodstuffs : three case studies3 cited
  • 2017Intención artística, conservación y mutación en la obra de arte actual: una aproximación hermenéutica2 cited
  • 20162004-6-16 to 2014-8-15: The birth and death of a work by Gu Dexin1 cited
  • 2018A preservação da arte contemporânea1 cited
  • 2011Inside Installations1 cited

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