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Postclassical Nonfiction: Narration in the Contemporary Documentary
16 references·1 citing·29 second hop
Postclassical Nonfiction: Narration in the Contemporary Documentary (2012)Postclassical Nonfiction: Narration in th…Directing the Documentary (2014)Directing the DocumentaryNarration in the Fiction Film (2013)Narration in the Fiction FilmContemporary Hollywood Cinema (2013)Contemporary Hollywood CinemaThere’s No Place Like Home Video (2010)There’s No Place Like Home Vi…Intelligence work: the politics of American documentary (2009)Intelligence work: the politi…Documentary: The Margins of Reality (2006)Documentary: The Margins of R…Introduction to documentary (2002)Introduction to documentaryIntensified Continuity Visual Style in Contemporary American Film (2002)Intensified Continuity Visual…Change Mummified: Cinema, Historicity, Theory (2001)Change Mummified: Cinema, His…Literary theory: an anthology (1998)Literary theory: an anthologyRhetoric and Representation in Nonfiction film (1997)Rhetoric and Representation i…Mirrors without Memories: Truth, History, and the New Documentary (1993)Mirrors without Memories: Tru…Early cinema, late cinema: permutations of the public sphere (1993)Early cinema, late cinema: pe…The Content of the Form: Narrative Discourse and Historical Representation. (1987)The Content of the Form: Narr…Narrative, Apparatus, Ideology: A Film Theory Reader (1986)Narrative, Apparatus, Ideolog…Theory of the Avant-Garde (1985)Theory of the Avant-GardeMapping Nichols’ Modes in Documentary Film – Ai Weiwei: Never Sorry and Helvetica (2014)Mapping Nichols’ Modes in Doc…Psychoanalysis and Cinema (1982)The Political Unconscious: Narrative as a Socially Symbolic Act (1982)The Postmodern Condition: A Report on Knowledge (1984)The documentary politics, emotion, culture (2010)Feminist Film Studies (2012)Model Minority Masochism (2022)Fictionality and Perceived Realism in Experiencing Stories: A Model of Narrative Comprehension and Engagement (2008)The Cambridge Introduction to Narrative (2008)The Cambridge Introduction to Narrative (2020)“Some Parents Just Don’t Care” (2004)Qualitative data analysis (2018)How Computers See Gender (2019)Critical pedagogy and predatory culture (1994)T. S. Eliot and the Cultural Divide (1995)The Mass Production of the Senses: Classical Cinema as Vernacular Modernism (2009)Post-Cinematic Affect: On Grace Jones, Boarding Gate and Southland Tales (2010)Approaching media industries comparatively: A case study of streaming (2018)Detecting mental fatigue from eye-tracking data gathered while watching video: Evaluation in younger and older adults (2018)Modes of interactivity: analysing the webdoc (2012)Exhibiting Cinema in Contemporary Art (2013)The Living Documentary: from representing reality to co-creating reality in digital interactive documentary (2013)Analysis of Personal Narratives (2012)Moving Away from the Index: Cinema and the Impression of Reality (2007)Digital Images, Photo-Sharing, and Our Shifting Notions of Everyday Aesthetics (2008)What's the Point of an Index? or, Faking Photographs (2008)Documentary Screens: Non-Fiction Film and Television (2004)BILDER EINER BESSEREN WELT Die Utopie im nichtfiktionalen Film (2019)Fallen Women, Rising Stars, New Horizons: Shanghai Silent Film As Vernacular Modernism (2000)A Handbook of Qualitative Methodologies for Mass Communication Research (2002)
this work references cited by second hop

References

  • 2002Introduction to documentary1,606 cited
  • 1987The Content of the Form: Narrative Discourse and Historical Representation.1,243 cited
  • 2013Narration in the Fiction Film1,100 cited
  • 1998Literary theory: an anthology744 cited
  • 1985Theory of the Avant-Garde744 cited
  • 1986Narrative, Apparatus, Ideology: A Film Theory Reader567 cited
  • 2001Change Mummified: Cinema, Historicity, Theory517 cited
  • 2002Intensified Continuity Visual Style in Contemporary American Film362 cited
  • 1997Rhetoric and Representation in Nonfiction film331 cited
  • 1993Mirrors without Memories: Truth, History, and the New Documentary243 cited
  • 2013Contemporary Hollywood Cinema239 cited
  • 2014Directing the Documentary202 cited
  • 2010There’s No Place Like Home Video199 cited
  • 2006Documentary: The Margins of Reality155 cited
  • 1993Early cinema, late cinema: permutations of the public sphere151 cited
  • 2009Intelligence work: the politics of American documentary132 cited

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  • 2014Mapping Nichols’ Modes in Documentary Film – Ai Weiwei: Never Sorry and Helvetica11 cited