Mucho locofor Ricky Martin; or the politics of chronology, crossover, and language within the Latin(o) Music “Boom”1

María Elena Cepeda

35 citations0/0 files storedPopular Music & Society

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Music History and Culture Musicology and Musical Analysis Latin American and Latino Studies

Abstract

(2000). Mucho loco for Ricky Martin; or the politics of chronology, crossover, and language within the Latin(o) Music “Boom”. Popular Music and Society: Vol. 24, Global Popular Music: The Politics and Aesthetics of Language Choice, pp. 55-71.

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References

1996Silencing the past: power and the production of history 1996Silencing the past: Power and the Production of History 1994Language Ideology 1998Language, Race, and White Public Space 1993Running with the devil: power, gender, and madness in heavy metal music 2010Music Genres and Corporate Cultures 1997Silencing the Past: Power and the Production of History 1999Tropicalizations. Transcultural Representations of Latinidad

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2011Latin Down Under: Latin American migrant musicians in Australia and New Zealand 2008Translation and Code Switching in the Lyrics of Bilingual Popular Songs 2010The Spread of Global Spanish: From Cervantes toreggaetón 2009Embracing Difference: Salsa Fever in New Jersey 2001"Columbus Effect(s)": Chronology and Crossover in the Latin(o) Music "Boom"2013Transcultural Latino: Negotiating Music Industry Expectations of Latin American Migrant Musicians in Australasia

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