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Mucho locofor Ricky Martin; or the politics of chronology, crossover, and language within the Latin(o) Music “Boom”1
16 references·16 citing·31 second hopsampled
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References

  • 1996Silencing the past: power and the production of history2,947 cited
  • 1996Silencing the past: Power and the Production of History2,093 cited
  • 1994Language Ideology1,392 cited
  • 1998Language, Race, and White Public Space971 cited
  • 1993Running with the devil: power, gender, and madness in heavy metal music942 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 1997Silencing the Past: Power and the Production of History571 cited
  • 1999Tropicalizations. Transcultural Representations of Latinidad410 cited
  • 1993Hasta La Vista, Baby281 cited
  • 1996Rockin' Out: Popular Music in the USA169 cited
  • 1998Borderless Borders: U.S. Latinos, Latin Americans, and the Paradox of Interdependence124 cited
  • 1980The Latin Tinge: The Impact of Latin American Music on the United States117 cited
  • 2000Dancing in the Street: Motown and the Cultural Politics of Detroit107 cited
  • 1984Chicano Discourse: Socio-Historic Perspectives82 cited
  • 1983Chicano Discourse: Socio-Historic Perspectives76 cited
  • 1991the political topography of Spanish and English: the view from a New York Puerto Rican neighborhood

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73 cited

Cited by

  • 2011Latin Down Under: Latin American migrant musicians in Australia and New Zealand33 cited
  • 2008Translation and Code Switching in the Lyrics of Bilingual Popular Songs32 cited
  • 2010The Spread of Global Spanish: From Cervantes toreggaetón31 cited
  • 2009Embracing Difference: Salsa Fever in New Jersey24 cited
  • 2001"Columbus Effect(s)": Chronology and Crossover in the Latin(o) Music "Boom"19 cited
  • 2013Transcultural Latino: Negotiating Music Industry Expectations of Latin American Migrant Musicians in Australasia17 cited
  • 2005“Now We're on the Top, Top of the Pops”: The Performance of “Non‐Mainstream” Music onBillboard's Albums Charts, 1981–200115 cited
  • 2015Psy-Zing up the Mainstreaming of “Gangnam Style”13 cited
  • 2018Hey, baby, ¿Qué Pasó?: Performing bilingual identities in Texan popular music8 cited
  • 2008Latinos in the Garage: A Genealogical Examination of the Latino/a Presence and Influence in Garage Rock (and Rock and Pop Music)16 cited
  • 2015Code-Switching, Code-Mixing And Radical Bilingualism In U.s. Latino Texts6 cited
  • 2017Y yo soy cubano, and I’m impatient5 cited
  • 2010The celebritisation of Carmen Miranda in New York, 1939–414 cited
  • 2011El Rock Star Perfecto? Theorizing Juanes and New Directions in Cross-Over Celebrity4 cited
  • 2018La transnationalisation de l’industrie musicale de Miami3 cited
  • 2009Maintenance of Spanish as a Heritage Language in a Global World2 cited