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Digitized parody: The politics of egao in contemporary China
16 references·15 citing·28 second hop
Digitized parody: The politics of egao in contemporary China (2010)Digitized parody: The politics of egao in…The Internet in China: Cyberspace and Civil Society (2006)The Internet in China: Cybers…The Politics of Postmodernism (2003)The Politics of PostmodernismPalimpsests: Literature in the Second Degree (1997)Palimpsests: Literature in th…Subversive Pleasures (1992)Subversive PleasuresPostmodernism, or, The Cultural Logic of Late Capitalism (1992)Postmodernism, or, The Cultur…Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The cultur…The politics of postmodernism (1990)The politics of postmodernismSubversive pleasures: Bakhtin, cultural criticism, and film (1990)Subversive pleasures: Bakhtin…On humor: its nature and its place in modern society (1989)On humor: its nature and its …Problems of Dostoevsky's Poetics (1987)Problems of Dostoevsky's Poet…A Theory of Parody. The Teachings of Twentieth-Century Art Forms (1986)A Theory of Parody. 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References

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Cited by

  • 2022Selling intimacy online: The multi-modal discursive techniques of China’s wanghong39 cited
  • 2015Web 2.0 and Political Engagement in China22 cited
  • 2018Represented Dreams: Subversive Expressions in Chinese Social Media as Alternative Symbolic Infrastructures18 cited
  • 2016Social Media in Rural China17 cited
  • 2020Beneath the bitter laughter: Online parodies, structures of feeling and cultural citizenship in China17 cited
  • 2017Co-producing cyber protest: mesomobilization in the digital age13 cited
  • 2014Baozou manhua (rage comics), Internet humour and everyday life12 cited
  • 2020Precarious Creativity: Production of Digital Video in China11 cited
  • 2018When the Internet meets collective action: The traditional and creative ways of political participation in China11 cited
  • 2021From Online Mass Incidents to Defiant Enclaves: Political Dissent on China’s Internet11 cited
  • 2020Honour of Kings as Chinese popular heritage: Contesting authorized history in a mobile game11 cited
  • 2019Boredom, Shanzhai, and Digitisation in the Time of Creative China6 cited
  • 2023“We are snowflakes”: Minor transnationalism and the cultural resilience of slash fanfiction community in China6 cited
  • 2016The recontextualization of revolutionary symbolic capital in Chinese online grassroots discourse5 cited
  • 2023A discourse analysis of critical commenting online: A study of comments on a self-mockery event4 cited