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Complementary analytical methods in identifying gilding and painting techniques of ancient clay-based polychromic sculptures
13 references·16 citing·49 second hop
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References

  • 1988The Organic Chemistry of Museum Objects686 cited
  • 2008Analysis of natural and artificial ultramarine blue pigments using laser induced breakdown and pulsed Raman spectroscopy, statistical analysis and light microscopy190 cited
  • 2003Analysis of pigments from Roman wall paintings found in Vicenza121 cited
  • 2006Investigation of degradation mechanisms by portable Raman spectroscopy and thermodynamic speciation: The wall painting of Santa María de Lemoniz (Basque Country, North of Spain)104 cited
  • 2008A non-invasive XRF study supported by multivariate statistical analysis and reflectance FTIR to assess the composition of modern painting materials95 cited
  • 2009Characterization of Lapis Lazuli Pigments Using a Multitechnique Analytical Approach: Implications for Identification and Geological Provenancing90 cited
  • 2011The Temple of Venus (Pompeii): a study of the pigments and painting techniques85 cited
  • 2011XRF, μ-XRD and μ-spectroscopic techniques for revealing the composition and structure of paint layers on polychrome sculptures after multiple restorations64 cited
  • 2005Pigment Identification by Spectroscopic Means: Evidence Consistent with the Attribution of the PaintingYoung Woman Seated at a Virginalto Vermeer61 cited
  • 2012Protein identification and localization using mass spectrometry and staining tests in cross-sections of polychrome samples51 cited
  • 2009Composition of Renaissance Paint Layers: Simultaneous Particle Induced X-ray Emission and Backscattering Spectrometry50 cited
  • 2003Raman microspectrometric investigation of wall paintings in S. Giovanni Evangelista Abbey in Parma: a comparison between two artists of the 16th century

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47 cited
  • 2006Thirteenth century wall paintings under the Siena Cathedral (Italy). Mineralogical and petrographic study of materials, painting techniques and state of conservation46 cited
  • Cited by

    • 2020Spectroscopic investigation and comprehensive analysis of the polychrome clay sculpture of Hua Yan Temple of the Liao Dynasty38 cited
    • 2022A Multi-Analytical Approach to Investigate the Polychrome Clay Sculpture in Qinglian Temple of Jincheng, China35 cited
    • 2019Determination of gold leaf thickness using X-ray fluorescence spectrometry: Accuracy comparison using analytical methodology and Monte Carlo simulations31 cited
    • 2016Lacquering craft of Qing Dynasty lacquered wooden coffins excavated from Shanxi, China – A technical study30 cited
    • 2019Comprehensive study of an ancient Egyptian foot case cartonnage using Raman, ESEM-EDS, XRD and FTIR30 cited
    • 2014Analytical procedure for characterization of medieval wall-paintings by X-ray fluorescence spectrometry, laser ablation inductively coupled plasma mass spectrometry and Raman spectroscopy30 cited
    • 2024Analysis of the materials and processes of hanging sculptures in Guanyin Hall26 cited
    • 2021Micro-Raman, XRD and THM-Py-GC/MS analysis to characterize the materials used in the Eleven-Faced Guanyin of the Du Le Temple of the Liao Dynasty, China25 cited
    • 2015Analysis of a Brazilian baroque sculpture using Raman spectroscopy and FT-IR25 cited
    • 2022Multimethod characterization of terracotta figurines and lime mortar from the elite burials Shoroon Bumbagar I and II, Mongolia24 cited
    • 2019Monte Carlo simulation of portable X-ray fluorescence setup: Non-invasive determination of gold leaf thickness in indo-Portuguese panel paintings24 cited
    • 2021Systematic study of the material, structure and lacquering techniques of lacquered wooden coffins from the Eastern Regius Tombs of the Qing Dynasty, China23 cited
    • 2016Microchemical Study of Pigments and Binders in Polychrome Relics from Maiji Mountain Grottoes in Northwestern China22 cited
    • 2017Identification of an Ancient Birch Bark Quiver from a Tang Dynasty (A.D. 618–907) Tomb in Xinjiang, Northwest China16 cited
    • 2023Characterization of archaeological lime mortars in a Ming dynasty tomb: A multi‐analytical approach13 cited
    • 2021Analytical study of Buddha sculptures in Jingyin temple of Taiyuan, China13 cited