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: Claiming the Real: The Documentary Film Revisited . Brian Winston.
0 references·7 citing·28 second hop
: Claiming the Real: The Documentary Film Revisited . Brian Winston. (1996): Claiming the Real: The Documentary Film…From Documentation to Representation: Recovering the Films of Margaret Mead and Gregory Bateson (2013)From Documentation to Represe…In and out of this world: digital video and the aesthetics of realism in the new hybrid documentary (2008)In and out of this world: dig…Documentary Screens: Non-Fiction Film and Television (2004)Documentary Screens: Non-Fict…British Film Education and the Career of Colin Young (2004)British Film Education and th…Utopian Visions in Cold War Documentary : Joris Ivens, Paul Robeson and Song of the Rivers (1954) (2003)Utopian Visions in Cold War D…Telling the Stories of Heim and Heimat, Home and Exile: Recent Palestinian Films and the Iconic Parable of the Invisible Palestine (2002)Telling the Stories of Heim a…Images of Regeneration: Film propaganda and the British slum clearance campaign, 1933-1938 (1999)Images of Regeneration: Film …The Presentation of Self in Everyday Life. (1956)Representing reality: issues and concepts in documentary (1992)Shooting the Family : Transnational Media and Intercultural Values (2005)The Location of Culture (2012)Judging "privileged" Jews: Holocaust ethics, representation, and the "Grey zone" (2014)Re-forming vision. On the governmentality of Griersonian documentary film (2015)The Rise and Fall of British Documentary: The Story of the Film Movement Founded by John Grierson (1976)The Age of the Dream Palace (1984)Nationalism and Sexuality: Middle-Class Morality and Sexual Norms in Modern Europe (1988)A Primitive Mode of Representation? (1990)Documentary Dilemmas: Frederick Wiseman's Titicut Follies (1991)Experimental Ethnography: The Work of Film in the Age of Video (1999)Novels into Film (1957)Film Style and Technology: History and Analysis (1983)Novels into Film (2003)Naven: A Survey of the Problems Suggested by a Composite Picture of the Culture of a New Guinea Tribe Drawn from Three Points of View. (1969)The Third Eye (1996)Rethinking Visual Anthropology. (1998)Film, music and sensory experience: questions concerning a project to film participatory musical performances (2022)The reconfigured eye: visual truth in the post-photographic era (1993)Rhetoric and Representation in Nonfiction film (1997)The Language of New Media (2002)Protest Movements and Spectacles of Death: From Urban Places to Video Spaces (2013)‘Something genuinely Norwegian’: cultural identity under the influence of American cinema in the found footage aesthetic ofTrolljegeren/Trollhunter(2010) (2016)Unthinking Eurocentrism: Multiculturalism and the Media (1996)5. The Practice of Everyday Life (2000)Freedom dreams: the black radical imagination (2003)Soviet Cinematic Internationalism and Socialist Film Making, 1955–1972 (2016)
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Cited by

  • 2004Documentary Screens: Non-Fiction Film and Television80 cited
  • 2008In and out of this world: digital video and the aesthetics of realism in the new hybrid documentary29 cited
  • 2013From Documentation to Representation: Recovering the Films of Margaret Mead and Gregory Bateson18 cited
  • 2002Telling the Stories of Heim and Heimat, Home and Exile: Recent Palestinian Films and the Iconic Parable of the Invisible Palestine9 cited
  • 2003Utopian Visions in Cold War Documentary : Joris Ivens, Paul Robeson and Song of the Rivers (1954)8 cited
  • 2004British Film Education and the Career of Colin Young7 cited
  • 1999Images of Regeneration: Film propaganda and the British slum clearance campaign, 1933-19385 cited

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