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Acting Naturally: Cultural Distinction and Critiques of Pure Country
10 references·9 citing·29 second hop
Acting Naturally: Cultural Distinction and Critiques of Pure Country (1993)Acting Naturally: Cultural Distinction an…Distinction: A Social Critique of the Judgement of Taste* (2018)Distinction: A Social Critiqu…You Wrote My Life: Lyrical Themes in Country Music. (1994)You Wrote My Life: Lyrical Th…Postmodernism, or, The cultural logic of late capitalism (1991)Postmodernism, or, The cultur…Uncommon Cultures: Popular Culture and Post-Modernism (1990)Uncommon Cultures: Popular Cu…No Respect: Intellectuals and Popular Culture (1990)No Respect: Intellectuals and…The Politics and Poetics of Transgression (1988)The Politics and Poetics of T…The Country Music Message: Revisited (1988)The Country Music Message: Re…After the Great Divide: Modernism, Mass Culture, Postmodernism (1987)After the Great Divide: Moder…Watermelon Wine: The Spirit of Country Music (1978)Watermelon Wine: The Spirit o…From Region to Class, The Changing Locus of Country Music: A Test of the Massification Hypothesis (1975)From Region to Class, The Cha…Sounding the American Heart: Cultural Politics, Country Music, and Contemporary American Film (2020)Sounding the American Heart: …“Together Again,” but We Keep On Crying (2019)“Together Again,” but We Keep…Acting Naturally Unnaturally: The Performative Nature of Authenticity in Contemporary Popular Music (2008)Acting Naturally Unnaturally:…Surreal Symphonies (2001)Surreal SymphoniesPopular Songs and Comic Allusion in Contemporary Cinema (2001)Popular Songs and Comic Allus…Picturizing American Cinema (2001)Picturizing American CinemaMusic as Ethnic Marker in Film (2001)Music as Ethnic Marker in FilmCrossing Musical Borders (2001)Crossing Musical BordersCinema and Popular Song (2001)Cinema and Popular SongTalking science: language, learning, and values (1991)What Is Agency? (1998)The Field behind the Screen: Using Netnography for Marketing Research in Online Communities (2002)Spectacular vernacular: Literacy and commercial culture in the postmodern age (1993)Crime and the City Solution: Crime Fiction, Urban Knowledge, and Radical Geography (1998)Postmodern Texts and Emotional Audiences (2007)Territoriality and beyond: problematizing modernity in international relations (1993)Liberatory Postmodernism and the Reenchantment of Consumption (1995)Toward a Theory of Gender (2013)Unpopular culture: The case of ‘white trash’ (1997)Genre of Music and Lyrical Content: Expectation Effects (1999)Music and Social Movements (2010)Club cultures: music, media and subcultural capital (1996)The Protean Quality of Subcultural Consumption: An Ethnographic Account of Gay Consumers (2002)Translation, Rewriting, and the Manipulation of Literary Fame (2016)Provisional notes on the postcolony (1992)Emotional Geographies of Teaching (2001)Understanding Popular Culture (2006)Understanding audience segmentation: From elite and mass to omnivore and univore (1992)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)13 "DOES CULTURAL CAPITAL STRUCTURE AMERICAN CONSUMPTION?" (1998) (1998)Postmodernism and the Social Sciences (1992)Present Pasts: Media, Politics, Amnesia (2000)Music of the First Nations: tradition and innovation in Native North America (2009)“Redneck Woman” and the Gendered Poetics of Class Rebellion (2011)Gone country: An investigation of Billboard country songs of the year across social and economic conditions in the United States. (2014)Saturday Night in Country Music: The Gospel According to Juke (1995)Going Up and Coming Down Kris Kristofferson, Authenticity, and Country Music’s “New Breed” (2019)DeFord Bailey in Country Music's Multiracial Canon (2020)
this work references cited by second hop

References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 1991Postmodernism, or, The cultural logic of late capitalism9,294 cited
  • 1988The Politics and Poetics of Transgression3,290 cited
  • 1987After the Great Divide: Modernism, Mass Culture, Postmodernism1,026 cited
  • 1990No Respect: Intellectuals and Popular Culture927 cited
  • 1975From Region to Class, The Changing Locus of Country Music: A Test of the Massification Hypothesis134 cited
  • 1990Uncommon Cultures: Popular Culture and Post-Modernism108 cited
  • 1994You Wrote My Life: Lyrical Themes in Country Music.55 cited
  • 1988The Country Music Message: Revisited35 cited
  • 1978Watermelon Wine: The Spirit of Country Music33 cited

Cited by

  • 2001Popular Songs and Comic Allusion in Contemporary Cinema32 cited
  • 2008Acting Naturally Unnaturally: The Performative Nature of Authenticity in Contemporary Popular Music16 cited
  • 2001Cinema and Popular Song16 cited
  • 2020Sounding the American Heart: Cultural Politics, Country Music, and Contemporary American Film14 cited
  • 2001Music as Ethnic Marker in Film9 cited

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

  • 2001Picturizing American Cinema9 cited
  • 2001Crossing Musical Borders5 cited
  • 2001Surreal Symphonies4 cited
  • 2019“Together Again,” but We Keep On Crying3 cited