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Kwaito, ‘dawgs' and the antimonies of hustling
11 references·14 citing·33 second hop
Kwaito, ‘dawgs' and the antimonies of hustling (2003)Kwaito, ‘dawgs' and the antimonies of hus…Policing the Crisis (2013)Policing the CrisisCorporal Punishment and Masculinity in South African Schools (2001)Corporal Punishment and Mascu…Performing Rites: Evaluating Popular Music (1998)Performing Rites: Evaluating …States of fantasy (1996)States of fantasyPerforming Rites (1996)Performing RitesBlack Noise: Rap Music and Black Culture in Contemporary America. (1995)Black Noise: Rap Music and Bl…Faces in the Revolution: The Psychological Effects of Violence on Township Youth in South Africa (1994)Faces in the Revolution: The …Check Yo Self, Before You Wreck Yo Self: Variations on a Political Theme in Rap Music and Popular Culture (1994)Check Yo Self, Before You Wre…Black Studies, Rap, and the Academy (1994)Black Studies, Rap, and the A…Power/Knowledge: Selected Interviews and Other Writings 1972-1977 (1980)Power/Knowledge: Selected Int…Policing the Crisis (1978)Policing the Crisis‘Jobless corner campus’: an institutionalised idleness in Kibera, an informal settlement in Nairobi (2024)‘Jobless corner campus’: an i…Historicising gqom as a post-kwaito phenomenon (2021)Historicising gqom as a post-…The Inaudible Nation: Music and Sensory Perception in Postapartheid South Africa (2017)The Inaudible Nation: Music a…‘Before you're a DJ, you're a woman’: navigating gendered space, society and music as a female DJ in Johannesburg’ (2017)‘Before you're a DJ, you're a…the politicization of kwaito: From the 'Tarty politic" to Party politics (2016)the politicization of kwaito:…“Si-ghetto Fabulous” (“We Are Ghetto Fabulous”): Kwaito Musical Performance and Consumption in Post-Apartheid South Africa (2014)“Si-ghetto Fabulous” (“We Are…Conspicuous Destruction, Aspiration and Motion in the South African Township (2013)Conspicuous Destruction, Aspi…Pornographic objectification of women through Kwaito lyrics (2012)Pornographic objectification …Locating Generation X: Taste and Identity in Transitional South Africa (2012)Locating Generation X: Taste …Body Politic: The Emergence of a “KwaitoNation” in South Africa (2012)Body Politic: The Emergence o…The constraints of colour: popular music listening and the interrogation of ‘race’ in post-apartheid South Africa (2011)The constraints of colour: po…‘Ek sê, heita!’: Kwaito and the construction of community (2006)‘Ek sê, heita!’: Kwaito and t…South African Music after Apartheid:Kwaito, the “Party Politic,” and the Appropriation of Gold as a Sign of Success (2005)South African Music after Apa…Kwaitoversus Crossed-over: Music and Identity during South Africa's Rainbow Years, 1994–99 (2004)Kwaitoversus Crossed-over: Mu…All that is solid melts into air : the experience of modernity (1995)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Musicking: The Meanings of Performing and Listening (2000)What Are We Seeking to Sustain Through Culturally Sustaining Pedagogy? A Loving Critique Forward (2014)Schools and Social Justice (1993)The making of men: Masculinities, sexualities and schooling. (1994)Of boys and men: masculinity and gender in Southern African studies (1998)Gendering corporal punishment: beyond the discourse of human rights (2008)Disciplining the Boys: Construction of Violent Masculinities in a South African High School (2014)‘Cheese boys’ resisting and negotiating violent hegemonic masculinity in primary school (2018)Posthumanist Performativity: Toward an Understanding of How Matter Comes to Matter (2003)Unsettling the Coloniality of Being/Power/Truth/Freedom: Towards the Human, After Man, Its Overrepresentation--An Argument (2003)Critical Discourse Analysis (2015)Is Kinship Always Already Heterosexual? (2002)Love among the Ruins (2003)Historical Fantasy, Speculative Realism, and Postrace Aesthetics in Contemporary American Fiction (2011)Popular Culture as Oppositional Culture: Rap as Resistance (1997)Technologies of truth: cultural citizenship and the popular media (1998)Methodology of the Oppressed (2010)Fear of Crime: A Review of the Literature (1996)Language, Race, and White Public Space (1998)The Handbook of Journalism Studies (2009)South African Children: A history of adversity, violence and trauma (2000)The well being of children living in chronic war zones: The Palestinian—Israeli case (2008)Traumatic Stress in South Africa (2010)Comparing Media Systems (2004)From the Achievement Gap to the Education Debt: Understanding Achievement in U.S. Schools (2006)The Production of Culture Perspective (2004)In Search of Authenticity* (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)After Adorno : rethinking music sociology (2003)Key themes in media theory (2007)Space-form and the acousmatic image (2007)
this work references cited by second hop

References

  • 1980Power/Knowledge: Selected Interviews and Other Writings 1972-197722,285 cited
  • 1978Policing the Crisis4,006 cited
  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,446 cited
  • 2013Policing the Crisis1,189 cited
  • 1996Performing Rites1,123 cited
  • 1998Performing Rites: Evaluating Popular Music288 cited
  • 1996States of fantasy145 cited
  • 1994Faces in the Revolution: The Psychological Effects of Violence on Township Youth in South Africa144 cited
  • 2001Corporal Punishment and Masculinity in South African Schools95 cited
  • 1994Black Studies, Rap, and the Academy71 cited
  • 1994Check Yo Self, Before You Wreck Yo Self: Variations on a Political Theme in Rap Music and Popular Culture15 cited

Cited by

  • 2005South African Music after Apartheid:Kwaito, the “Party Politic,” and the Appropriation of Gold as a Sign of Success49 cited
  • 2004Kwaitoversus Crossed-over: Music and Identity during South Africa's Rainbow Years, 1994–9937 cited
  • 2012Pornographic objectification of women through Kwaito lyrics18 cited
  • 2013Conspicuous Destruction, Aspiration and Motion in the South African Township

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18 cited
  • 2012Body Politic: The Emergence of a “KwaitoNation” in South Africa15 cited
  • 2014“Si-ghetto Fabulous” (“We Are Ghetto Fabulous”): Kwaito Musical Performance and Consumption in Post-Apartheid South Africa12 cited
  • 2017‘Before you're a DJ, you're a woman’: navigating gendered space, society and music as a female DJ in Johannesburg’5 cited
  • 2021Historicising gqom as a post-kwaito phenomenon4 cited
  • 2011The constraints of colour: popular music listening and the interrogation of ‘race’ in post-apartheid South Africa4 cited
  • 2012Locating Generation X: Taste and Identity in Transitional South Africa4 cited
  • 2016the politicization of kwaito: From the 'Tarty politic" to Party politics3 cited
  • 2024‘Jobless corner campus’: an institutionalised idleness in Kibera, an informal settlement in Nairobi3 cited
  • 2017The Inaudible Nation: Music and Sensory Perception in Postapartheid South Africa2 cited
  • 2006‘Ek sê, heita!’: Kwaito and the construction of community2 cited