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An Informal Introduction to Some Formal Concepts from Lewin's Transformational Theory
16 references·6 citing·33 second hop
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References

  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 1986Music Theory, Phenomenology, and Modes of Perception319 cited
  • 1998Introduction to Neo-Riemannian Theory: A Survey and a Historical Perspective305 cited
  • 1987Composition With Pitch-Classes167 cited
  • 2002Uniform Triadic Transformations118 cited
  • 2002Explanation and Epistemology76 cited
  • 2003Decentering Music75 cited
  • 1989Music Theory and 'Good Comparison': A Viennese Perspective58 cited
  • 1995Generalized Interval Systems for Babbitt's Lists, and for Schoenberg's String Trio49 cited
  • 1998A Rudimentary Geometric Model for Contextual Transposition and Inversion45 cited
  • 1989The Scientific Image of Music Theory41 cited
  • 2006Some Problems and Resources of Music Theory29 cited
  • 1996Cohn Functions25 cited
  • 1981The Authority of Music Criticism23 cited
  • 2005Generalized Contextual Groups19 cited
  • 1998Alternative Interpretations of Some Measures from "Parsifal"19 cited

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Cited by

  • 2006Journal of Music Theoryover the Years13 cited
  • 2015Bach and the Patterns of Transformation8 cited
  • 2015Hipster Harmony5 cited
  • 2021Guitar Thinking4 cited
  • 2022Melodic Transformation in George Garzone’s Triadic Chromatic Approach; or, Jazz, Math, and Basket Weaving4 cited
  • 2014The Transformational Energetics of the Tonal Universe: Cohn, Rings and Tymoczko3 cited