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Issues of Pastiche and Illusions of Authenticity in Gamelan-Inspired Composition
12 references·3 citing·26 second hop
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this work references cited by second hop

References

  • 1952Journal of the Royal Society of Arts: 1852–1952436 cited
  • 1994Recovering the Orient: Artists, Scholars,Appropriations36 cited
  • 1990A guide to the gamelan32 cited
  • 1994American Gamelan in the Garden of Eden: Intonation in a Cross-Cultural Encounter28 cited
  • 1990Karawitan: Source Readings in Javanese Gamelan and Vocal Music26 cited
  • 2002"Grand Succès pour les Exotiques". Retour sur les spectacles javanais de l'Exposition Universelle de Paris en 188922 cited
  • 1989A Retrospect on a Century of Gamelan Tone Measurements21 cited
  • 1984Selected Reports in Ethnomusicology13 cited
  • 1983One Perspective on Gamelan in America11 cited
  • 1985The concept of pathet in Central Javanese gamelan music.10 cited
  • 1986Gamelans and New Music8 cited
  • 1995Cultural Matrices and the Shaping of Innovation in Central Javanese Performing Arts7 cited

Cited by

  • 2019Bi-musical Curricula and “Abyssal Thinking”: The Case of KM Music Conservatory, India5 cited
  • 2019Improving Prospective Primary School Teachers’ Skill in Playing Gamelan Degung: An Action Research in Indonesia3 cited
  • 2012Hidden learning and instrumental and vocal development in a university music department

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3 cited