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Rock Aesthetics and Musics of the World
16 references·15 citing·40 second hop
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References

  • 1992A Theory of Structure: Duality, Agency, and Transformation5,297 cited
  • 1990Disjuncture and Difference in the Global Cultural Economy4,235 cited
  • 1994The Field of Cultural Production3,293 cited
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  • 1990Why 1955? Explaining the advent of rock music289 cited
  • 1994Producing Artistic Value: The Case of Rock Music281 cited
  • 1984Another boring day in paradise: rock and roll and the empowerment of everyday life216 cited
  • 1995Like a Knife: Ideology and Genre in Contemporary Chinese Popular Music94 cited
  • 1986The music industry and the `cultural imperialism' thesis62 cited
  • 1994Arab Noise and Ramadan Nights: Rai, Rap, and Franco-Maghrebi Identity61 cited
  • 1996Notes from underground: rock music counterculture in Russia58 cited
  • 1996

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Musica mizrakhit, Israeli rock and national culture in Israel
54 cited

Cited by

  • 2007Cultural Uniqueness and Aesthetic Cosmopolitanism121 cited
  • 2010Change and Continuity in Newspaper Coverage of Popular Music since 1955: Evidence from the United States, France, Germany, and the Netherlands91 cited
  • 1999Cantopop and Mandapop in pre-postcolonial Hong Kong: identity negotiation in the performances of Anita Mui Yim-Fong36 cited
  • 2000Nitmiluk: Place and Empowerment in Australian Aboriginal Popular Music27 cited
  • 2005HipHop ist im Haus: Cultural Policy, Community Centres, and the Making of Hip-Hop Music in Germany25 cited
  • 2010Contesting the Global Consumption Ethos: Reterritorialization of Rock in Turkey24 cited
  • 2000‘Roots’?: the relationship between the global and the local within the Extreme Metal scene21 cited
  • 2004Musique, identité et « ville-monde »21 cited
  • 2016Commercialization and consecration: Media attention to popular music in the US and the Netherlands, 1975–200518 cited
  • 2011Basque Pagan Metal: View to a primordial past13 cited
  • 1997Who does what with music videos in Israel9 cited
  • 2005NESIAN STYLES (RE) PRESENT R‘N’ B: THE APPROPRIATION, TRANSFORMATION AND REALIZATION OF CONTEMPORARY R'N'B WITH HIP HOP BY URBAN PASIFIKA GROUPS IN AOTEAROA8 cited
  • 2009A natural ear for music? Hearing (dis)abled masculinities5 cited
  • 2018Live music network in Larnaca, Cyprus: from musicians to audience and back (to the venue) again4 cited
  • 2008Culturas populares e identificações emergentes: Reflexões a partir do manguebeat e de expressões musicais brasileiras contemporâneas3 cited