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Measurements of Solvent Cleaning Effects on Oil Paintings
14 references·0 citing·32 second hop
Measurements of Solvent Cleaning Effects on Oil Paintings (2006)Measurements of Solvent Cleaning Effects …Solvent-Extractable Components of Linseed Oil Paint Films (2003)Solvent-Extractable Component…The cleaning of paintings: effects of organic solvents on oil paint films (2001)The cleaning of paintings: ef…Solvent extractable components of oil paint films (2001)Solvent extractable component…GC-MS and SEM Studies on the Effects of Solvent Cleaning on Old Master Paintings from the National Gallery, London (1998)GC-MS and SEM Studies on the …Fatty acid and glycerol content of lipids; effects of ageing and solvent extraction on the composition of oil paints = Acides gras et glycerol des lipides; effets du vieillissement sur la composition des peintures a l'huile et extraction par solvant (1997)Fatty acid and glycerol conte…Materials Issues in Art and Archaeology II (1992)Materials Issues in Art and A…THE EXTRACTABLE COMPONENTS OF OIL PAINT FILMS (1990)THE EXTRACTABLE COMPONENTS OF…The Effects of Some Common Pigments on the Photo-Oxidation of Linseed Oil-Based Paint Media (1980)The Effects of Some Common Pi…Solubility parameters and varnish removal: a survey (1980)Solubility parameters and var…National Gallery Technical Bulletin (1979)National Gallery Technical Bu…Analyses of paint media (1979)Analyses of paint mediaTechnical Studies in the Field of the Fine Arts (1977)Technical Studies in the Fiel…On Picture Varnishes and Their Solvents (1973)On Picture Varnishes and Thei…The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)The Gas Chromatographic Exami…Application of Science in Examination of Works of Art (1959)Cleaning Painted Surfaces: Aqueous Methods (2001)A new family of high viscosity polymeric dispersions for cleaning easel paintings (2010)Sustainability in art conservation: a novel bio-based organogel for the cleaning of water sensitive works of art (2017)Time-Dependent ATR-FTIR Spectroscopic Studies on Solvent Diffusion and Film Swelling in Oil Paint Model Systems (2018)Some Picture Cleaning Controversies: Past and Present (1984)Direct chemolysis–gas chromatography–mass spectrometry for analysis of paint materials (2004)Study on the effects of chemical cleaning on pinaceae resin-based varnishes from panel and canvas paintings using pyrolysis-gas chromatography/mass spectrometry (2005)Methodology and Application of GC‐MS to Study Altered Organic Binding Media from Objects of the Kunsthistorisches Museum, Vienna (2006)The Organic Chemistry of Museum Objects (1988)The degradation of oil painted copper surfaces (2006)Nuclear Magnetic Resonance Spectra and 207 Pb Chemical-Shift Tensors of Lead Carboxylates Relevant to Soap Formation in Oil Paintings (2014)Quantifying solvent action in oil paint using portable laser speckle imaging (2020)Cross-Sections and Chemical Analysis of Paint Samples (1956)GC-MS characterization of proteinaceous and lipid binders in UV aged polychrome artifacts (2000)Beyond the basics: A systematic approach for comprehensive analysis of organic materials in Asian lacquers (2016)Lead soaps in paintings: Friends or foes? (2016)Analysis of drying oils used as binding media for objects of art by capillary electrophoresis with indirect UV and conductivity detection (2003)Study of Aging in Oil Paintings by 1D and 2D NMR Spectroscopy (2004)The influence of lead ions on the drying of oils (2005)Artwork conservation materials and Hansen solubility parameters: A novel methodology towards critical solvent selection (2013)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)A review of synthetic binding media in twentieth‐century paints (2000)The Swelling of Artists' Paints in Organic Solvents. Part 2, Comparative Swelling Powers of Selected Organic Solvents and Solvent Mixtures (2002)Handheld XRF for Art and Archaeology (2013)BYZANTINE OPAQUE RED GLASS TESSERAE FROM BEIT SHEAN, ISRAEL* (2000)Mass‐Produced Mullite Crucibles in Medieval Europe: Manufacture and Material Properties (2008)Archaeometric investigation of Roman tesserae from Herculaneum (Italy) by the combined use of complementary micro-destructive analytical techniques (2009)The Influence of Varnishes on the Appearance of Paintings (1987)Identification by Raman microscopy and visible reflectance spectroscopy of pigments on an Icelandic manuscript (1995)
this work references cited by second hop

References

  • 1979National Gallery Technical Bulletin346 cited
  • 1966The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films127 cited
  • 1977Technical Studies in the Field of the Fine Arts124 cited
  • 1973On Picture Varnishes and Their Solvents83 cited
  • 2001The cleaning of paintings: effects of organic solvents on oil paint films74 cited
  • 1980The Effects of Some Common Pigments on the Photo-Oxidation of Linseed Oil-Based Paint Media70 cited
  • 1992Materials Issues in Art and Archaeology II59 cited
  • 1980Solubility parameters and varnish removal: a survey35 cited
  • 2003Solvent-Extractable Components of Linseed Oil Paint Films34 cited
  • 1998GC-MS and SEM Studies on the Effects of Solvent Cleaning on Old Master Paintings from the National Gallery, London33 cited
  • 1979Analyses of paint media32 cited
  • 1990THE EXTRACTABLE COMPONENTS OF OIL PAINT FILMS28 cited
  • 2001Solvent extractable components of oil paint films19 cited
  • 1997Fatty acid and glycerol content of lipids; effects of ageing and solvent extraction on the composition of oil paints = Acides gras et glycerol des lipides; effets du vieillissement sur la composition des peintures a l'huile et extraction par solvant12 cited

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