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Conceiving Artistic Work in the Formation of Artist Policy: Thinking Beyond Disinterest and Autonomy
16 references·2 citing·34 second hop
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References

  • 2018Distinction: A Social Critique of the Judgement of Taste*20,290 cited
  • 2000Bowling alone16,841 cited
  • 2002The rise of the creative class: and how it's transforming work, leisure, community and everyday life6,488 cited
  • 2007The Work of Art in the Age of Mechanical Reproduction3,820 cited
  • 1983The Gift: Imagination and the Erotic Life of Property725 cited
  • 2005ON THE FETISH CHARACTER IN MUSIC AND THE REGRESSION OF LISTENING300 cited
  • 1999Organizational Mediation of Project-Based Labor Markets: Talent Agencies and the Careers of Screenwriters174 cited
  • 1986The "Starving Artist"--Myth or Reality? Earnings of Artists in the United States163 cited
  • 2002Art Subjects: Making Artists in the American University118 cited
  • 1999Art Subjects111 cited
  • 1998High Art Down Home: An Economic Ethnography of a Local Art Market.91 cited
  • 1998How to identify artists? Defining the population for ‘status-of-the-artist’ studies74 cited
  • 2001Visionaries and Outcasts: The NEA, Congress, and the Place of the Visual Artist in America45 cited
  • 2002Culture Counts in Communities: A Framework for Measurement38 cited
  • 1994Professionalism and the visual artist

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35 cited
  • 1998The Missing Sector: The Unincorporated Arts19 cited
  • Cited by

    • 2010Do Artists Benefit from Arts Policy? The Position of Performing Artists in Flanders (2001–2008)8 cited
    • 2024Creative Work and Public Policy3 cited