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Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms
8 references·11 citing·31 second hop
Tonal Pairing and Monotonality in Instrumental Forms of Beethoven, Schubert, Schumann, and Brahms (2013)Tonal Pairing and Monotonality in Instrum…Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism (2006)Lateness and Brahms: Music an…Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms (2006)Harmonic Cross-Reference and …Elements of Sonata Theory (2006)Elements of Sonata TheoryThe Second Practice of Nineteenth-Century Tonality (1997)The Second Practice of Ninete…The Functional Extravagance of Chromatic Chords (1986)The Functional Extravagance o…Tonal coherence in Mahler's Ninth symphony (1984)Tonal coherence in Mahler's N…Brahms and the Principle of Developing Variation (1984)Brahms and the Principle of D…Alternatives to Monotonality in Early Nineteenth-Century Music (1981)Alternatives to Monotonality …Rethinking Brahms (2022)Rethinking BrahmsThe Songs of Fanny Hensel (2021)The Songs of Fanny HenselSongs of Travel (2021)Songs of TravelProcess and Pendulum in Schubert's Expanded Type 1 Sonatas (2021)Process and Pendulum in Schub…Plagal Cadences in Fanny Hensel’s Songs (2021)Plagal Cadences in Fanny Hens…“You too may change” (2021)“You too may change”Dvořák and Subordinate Theme Closure (2020)Dvořák and Subordinate Theme …Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music (2018)Form and the Large-Scale Conn…Harmony in Beethoven (2016)Harmony in BeethovenTonality and Mutability in Rachmaninoff’s All-Night Vigil, Movement 12 (2015)Tonality and Mutability in Ra…Hausmusik for Cognoscenti: Some Formal Characteristics of Schumann's Late-Period Character Pieces for Instrumental Ensemble (2015)Hausmusik for Cognoscenti: So…Structural Hearing; Tonal Coherence in Music (1953)Analyzing Music under the New Musicological Regime (1997)The Oxford Handbook of Neo-Riemannian Music Theories (2011)Harmony in Haydn and Mozart (2012)Dissonant Prolongation: Theoretical and Compositional Precedents (1976)The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition (1997)Classical Form (1998)Extraordinary Measures (2011)Thematic and Non-Thematic Textures in Schubert’s Three-Key Expositions (2017)Tonality (2023)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)Parallel Binary or Tripartite? Formal Hybridisation of Sonata Types in the Nineteenth Century (2021)Complete poetical works (1983)Interpreting musical gestures, topics, and tropes: Mozart, Beethoven, Schubert (2005)The Quest for the Origins of Music in Germany Circa 1900 (2000)Schumann's Music and E. T. A. Hoffmann's Fiction (2016)The A??C?E Complex: The Origin and Function of Chromatic Major Third Collections in Nineteenth-Century Music (2006)Ironic Narrative, Ironic Reading (2009)Fragile, Emergent, and Absent Tonics in Pop and Rock Songs (2017)Normalizing the Abnormal: Disability in Music and Music Theory (2006)Action and Agency Revisited (2013)Brahms and Schenker: A Mutual Response to Sonata Form (1994)Atonality, Analysis, and the Intentional Fallacy (1996)Late-Nineteenth-Century Chamber Music and the Cult of the Classical Adagio (1999)The Viennese symphony 1750 to 1827 (2013)The Cambridge History of Music Criticism (2019)Writing about Popular Music (2019)Beethoven reception: the symphonic tradition (2001)Edward Elgar, Modernist (2006)Double-Tonic Complexes in Rock Music (2020)
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References

  • 2006Elements of Sonata Theory644 cited
  • 1984Brahms and the Principle of Developing Variation189 cited
  • 1997The Second Practice of Nineteenth-Century Tonality180 cited
  • 2006Lateness and Brahms: Music and Culture in the Twilight of Viennese Liberalism143 cited
  • 1981Alternatives to Monotonality in Early Nineteenth-Century Music128 cited
  • 1986The Functional Extravagance of Chromatic Chords126 cited
  • 1984Tonal coherence in Mahler's Ninth symphony73 cited
  • 2006Harmonic Cross-Reference and the Dialectic of Articulation and Continuity in Sonata Expositions of Schubert and Brahms57 cited

Cited by

  • 2018Form and the Large-Scale Connection: Motivic Harmony and the Expanded Type-1 Sonata in Dvořák’s Later Chamber Music33 cited
  • 2021The Songs of Fanny Hensel21 cited
  • 2021“You too may change”18 cited
  • 2020Dvořák and Subordinate Theme Closure18 cited
  • 2021Songs of Travel16 cited
  • 2021Plagal Cadences in Fanny Hensel’s Songs16 cited
  • 2022Rethinking Brahms11 cited
  • 2015Hausmusik for Cognoscenti: Some Formal Characteristics of Schumann's Late-Period Character Pieces for Instrumental Ensemble

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5 cited
  • 2015Tonality and Mutability in Rachmaninoff’s All-Night Vigil, Movement 124 cited
  • 2016Harmony in Beethoven4 cited
  • 2021Process and Pendulum in Schubert's Expanded Type 1 Sonatas3 cited