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Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology · Study

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ArticleDoubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology

Ingrid Monson1994

Article1994

Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology

117 citations·0/0 files stored·Critical Inquiry

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Musicology and Musical Analysis Music History and Culture Literature, Musicology, and Cultural Analysis

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References

1993He-said-she-said : Talk as social organization among Black children. By Marjorie Goodwin. Bloomington: Indiana University Press, 1990. Pp. 371, photographs, appendices. Cloth $49.95, paper $19.95.

Cited by

1997Beyond geography's visible worlds: a cultural politics of music 2001The bicoherence theory of situational irony 2000Black Chant: Languages of African-American Postmodernism 1996Cosmopolitan or Provincial?: Ideology in Early Black Music Historiography, 1867-1940 2015Intertextuality, sampling, and copyright 2014Theoretical Approaches to Quotation in Hip-Hop Recordings 2012Rituals of Creativity: Tradition, Modernity, and the “Acoustic Unconscious” in a U.S. Collegiate Jazz Music Program 2010Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993)

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Year1994

Typearticle

Published1994-01-01

VenueCritical Inquiry

ISSN-L0093-1896

Languageen

Citations117

Files0 public / 0

ShelfMusicology and Musical Analysis

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doi10.1086/448712

openalex_workW2032036030

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