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Doubleness and Jazz Improvisation: Irony, Parody, and Ethnomusicology
1 references·16 citing·53 second hop
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References

  • 1993He-said-she-said : Talk as social organization among Black children. By Marjorie Goodwin. Bloomington: Indiana University Press, 1990. Pp. 371, photographs, appendices. Cloth $49.95, paper $19.95.1,401 cited

Cited by

  • 1997Beyond geography's visible worlds: a cultural politics of music228 cited
  • 2001The bicoherence theory of situational irony102 cited
  • 2000Black Chant: Languages of African-American Postmodernism85 cited
  • 1996Cosmopolitan or Provincial?: Ideology in Early Black Music Historiography, 1867-194074 cited
  • 2015Intertextuality, sampling, and copyright44 cited
  • 2014Theoretical Approaches to Quotation in Hip-Hop Recordings37 cited
  • 2012Rituals of Creativity: Tradition, Modernity, and the “Acoustic Unconscious” in a U.S. Collegiate Jazz Music Program32 cited
  • 2010Parody and Ironic Juxtaposition in Toru Takemitsu’s Music for the Film, Rising Sun (1993)28 cited
  • 1997The Black Authentic: Structure, Style, and Values in Group Harmony22 cited
  • 2006Cante Hondo: Charles Mingus, Nat Hentoff, and Jazz Racism122 cited
  • 2016Rethinking Interaction in Jazz Improvisation21 cited
  • 2004Modes and Manifestations of Improvisation in Urban Planning, Design, and Theory19 cited
  • 2016Humor and parody in Finnish rap music videos

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15 cited
  • 2010The Jazz Image13 cited
  • 2010Keyboard improvisation: a phenomenological study13 cited
  • 2012Music of the Gnawa of Morocco : evolving spaces and times9 cited