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Materials and Techniques of a Spanish Renaissance Panel Painting
15 references·0 citing·25 second hop
Materials and Techniques of a Spanish Renaissance Panel Painting (2007)Materials and Techniques of a Spanish Ren…Painting Materials: A Short Encyclopedia (2011)Painting Materials: A Short E…Cleaning Painted Surfaces: Aqueous Methods (2001)Cleaning Painted Surfaces: Aq…Over The Line: The Art and Life of Jacob Lawrence (2000)Over The Line: The Art and Li…The structural conservation of panel paintings : proceedings of a symposium at the J. Paul Getty Museum, 24-28 April 1995 (1998)The structural conservation o…Contribution to the study of grounds for panel painting of the Spanish School in the fifteenth and sixteenth centuries (1998)Contribution to the study of …Detection of Ovalbumin in Paint Media by Immunofluorescence (1989)Detection of Ovalbumin in Pai…Behind the Altar Table: The Development of the Painted Retable in Spain, 1350-1500 (1989)Behind the Altar Table: The D…Two wings of an Altarpiece by Martin van Heemskerck (1988)Two wings of an Altarpiece by…The Organic Chemistry of Museum Objects (1988)The Organic Chemistry of Muse…Artists' techniques in Golden Age Spain : six treatises in translation (1986)Artists' techniques in Golden…National Gallery Technical Bulletin (1979)National Gallery Technical Bu…SOME IMPROVEMENTS IN TECHNIQUES OF ANALYSIS OF PAINT MEDIA (1977)SOME IMPROVEMENTS IN TECHNIQU…METHODS USED FOR THE IDENTIFICATION OF BINDING MEDIA IN ITALIAN PAINTINGS OF THE FIFTEENTH AND SIXTEENTH CENTURIES (1971)METHODS USED FOR THE IDENTIFI…The Artist's Handbook of Materials and Techniques (1941)The Artist's Handbook of Mate…The Art of Painting (1695)The Art of PaintingCross-Sections and Chemical Analysis of Paint Samples (1956)Application of Science in Examination of Works of Art (1959)VERDIGRIS AND COPPER RESINATE (1970)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Ochre-differentiation through micro-Raman and micro-FTIR spectroscopies: application on wall paintings at Meteora and Mount Athos, Greece (2000)Surface enhanced Raman scattering (SERS) and FTIR characterization of the sepia melanin pigment used in works of art (2007)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Analytical pyrolysis of proteins in samples from artistic and archaeological objects (2017)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)New Frontiers in Materials Science for Art Conservation: Responsive Gels and Beyond (2010)New Methodologies for the Conservation of Cultural Heritage: Micellar Solutions, Microemulsions, and Hydroxide Nanoparticles (2010)Colloid and Materials Science for the Conservation of Cultural Heritage: Cleaning, Consolidation, and Deacidification (2013)Analytical characterization of polymers used in conservation and restoration by ATR-FTIR spectroscopy (2009)Multispectral and hyperspectral imaging technologies in conservation: current research and potential applications (2006)Analytical Methods for the Characterization of Organic Dyes in Artworks and in Historical Textiles (2009)Fourier transform infrared spectroscopy applied to ink characterization of one-penny postage stamps printed 1841–1880 (2005)Study of the influencing effect of pigments on the photoageing of terpenoid resins used as pictorial media (2006)The Byzantine wall paintings from the Protaton Church on Mount Athos, Greece: tradition and science (2007)Pollution monitoring by dosimetry and passive diffusion sampling for evaluation of environmental conditions for paintings in microclimate frames (2010)Scientific studies for the restoration of a wood painting of the Galleria Interdisciplinare Regionale della Sicilia—Palazzo Mirto di Palermo (2015)Ageing of resin from Pinus species assessed by infrared spectroscopy (2016)Visual and Verbal Sites: The Construction of Jesuit Martyrdom in Northwest New Spain in Andres Perez de Ribas' Historia de los Triumphos de nuestra Santa Fee (1645) (1999)Altarpieces, Liturgy, and Devotion (2004)Characterization of calcium sulfate grounds and fillings of applied tin‐relief brocades by Raman spectroscopy, Fourier transform infrared spectroscopy, and scanning electron microscopy (2010)
this work references cited by second hop

References

  • 1988The Organic Chemistry of Museum Objects686 cited
  • 2011Painting Materials: A Short Encyclopedia385 cited
  • 1979National Gallery Technical Bulletin350 cited
  • 2001Cleaning Painted Surfaces: Aqueous Methods174 cited
  • 1971METHODS USED FOR THE IDENTIFICATION OF BINDING MEDIA IN ITALIAN PAINTINGS OF THE FIFTEENTH AND SIXTEENTH CENTURIES68 cited
  • 1977SOME IMPROVEMENTS IN TECHNIQUES OF ANALYSIS OF PAINT MEDIA53 cited
  • 1989Detection of Ovalbumin in Paint Media by Immunofluorescence48 cited
  • 1941The Artist's Handbook of Materials and Techniques43 cited
  • 1998The structural conservation of panel paintings : proceedings of a symposium at the J. Paul Getty Museum, 24-28 April 199530 cited
  • 1989Behind the Altar Table: The Development of the Painted Retable in Spain, 1350-150028 cited
  • 1695The Art of Painting27 cited
  • 2000Over The Line: The Art and Life of Jacob Lawrence25 cited
  • 1986Artists' techniques in Golden Age Spain : six treatises in translation23 cited
  • 1998Contribution to the study of grounds for panel painting of the Spanish School in the fifteenth and sixteenth centuries10 cited
  • 1988Two wings of an Altarpiece by Martin van Heemskerck

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