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Prolongation in the Final Movement of Bartók's String Quartet No. 4

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References

1987The Problem of Prolongation in Post-Tonal Music162 cited
1981: Free Composition (Der Freie Satz): Vol. III of New Musical Theories and Fantasies . Heinrich Schenker, Ernst Oster.143 cited
1976Dissonant Prolongation: Theoretical and Compositional Precedents115 cited
1989Atonal prolongational structure113 cited
1982Music Analysis as Human Science? 'Le Sacre du Printemps' in Theory and Practice12 cited
1982Berg's 'Scheideweg': Analytical Issues in Op. 2/ii11 cited
1984Concepts of Prolongation and Bartók's Opus 2011 cited
1959Re: Harmonic Procedure in the "Fourth Quartet" of Bela Bartok10 cited

Cited by

2015Bartók's Polymodality5 cited
2005Schenkerian Theory in the United States. A Review of Its Establishment and a Survey of Current Research Topics5 cited
2003Zones of Impingement: Two Movements from Bartók's Music for Strings, Percussion, and Celesta4 cited

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