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On the Problem of Succession and Continuity in Twentieth-Century Music
4 references·13 citing·40 second hop
On the Problem of Succession and Continuity in Twentieth-Century Music (1986)On the Problem of Succession and Continui…The Structure of Atonal Music (1974)The Structure of Atonal MusicPerspectives of New Music (1963)Perspectives of New MusicDeterminism and Indeterminism in Modern Physics (1957)Determinism and Indeterminism…Galileo as a Critic of the Arts (1954)Galileo as a Critic of the Ar…The Music of Pavel Haas (2020)The Music of Pavel HaasTemporal Disruptions in Debussy's and Ravel's Programmatic Sonatas (2020)Temporal Disruptions in Debus…Middleground Structure in the Cadenza to Boulez’s Éclat (2019)Middleground Structure in the…Stravinsky and the Russian period: sound and legacy of a musical idiom (2013)Stravinsky and the Russian pe…Eternity in Each Moment (2013)Eternity in Each MomentTaruskin's Problem(s) (2011)Taruskin's Problem(s)C o‐operating C ontinuities in the M usic of T homas A dès (2006)C o‐operating C ontinuities i…Debussy: The Origins of a Method (2004)Debussy: The Origins of a Met…Stravinsky's Break with Contrapuntal Tradition: A Sketch Study (1995)Stravinsky's Break with Contr…Visible and Audible Structures: Spatio-Temporal Compromise in Ligeti's Magyar Etüdök (1992)Visible and Audible Structure…The State of Research in Twelve-Tone and Atonal Theory (1989)The State of Research in Twel…Stravinsky's "Mass" and Stravinsky Analysis (1989)Stravinsky's "Mass" and Strav…The Rhythms of Form: Correspondence and Analogy in Stravinsky's Designs (1987)The Rhythms of Form: Correspo…Stravinsky: The Progress of a Method (1962)Music, the Arts and Ideas: Patterns and Predictions in Twentieth-Century Culture (1968)Beyond Orpheus: Studies in Musical Structure (1979)The Synthesis of Rhythms: Form, Ideology, and the “Augurs of Spring” (2007)MOMENT FORM IN TWENTIETH CENTURY MUSIC (1978)Stravinsky and the Russian Traditions (1996)Debussy the Man, His Music, and His Legacy: An Overview of Current Research (2012)Music Theory, Phenomenology, and Modes of Perception (1986)Maximally Smooth Cycles, Hexatonic Systems, and the Analysis of Late-Romantic Triadic Progressions (1996)Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)A Transformational Space Structuring the Counterpoint in Adès’s “Auf dem Wasser zu singen” (2009)Aligned Cycles in T homas A dès's P iano Q uintet (2013)Alfred Schnittke’s Triadic Practice (2017)Ut Pictura Poesis: The Humanistic Theory of Painting (1940)The Modern System of the Arts: A Study in the History of Aesthetics Part I (1951)Intrinsic intentionality (1980)Minds, brains, and programs (1980)The Cambridge History of Literary Criticism (1997)Problems of Pitch Organization in Stravinsky (1963)The Functional Extravagance of Chromatic Chords (1986)The Problem of Prolongation in Post-Tonal Music (1987)Prolongation in the Choral Music of Benjamin Britten (2010)Harmony and Voice Leading in the Music of Stravinsky (2014)Black Sun: Depression and Melancholia (1991)Musical meaning in Beethoven: markedness, correlation, and interpretation (1994)The Oxford Handbook of Topic Theory (2013)Emotion and Meaning in Music (1961)The Modularity of Mind (1983)The Ideology of the Aesthetic (1988)The orchestral music of Michael Tippett: creative development and the compositional process (2015)Geometric Generalizations of the Tonnetz and Their Relation to Fourier Phases Spaces (2018)Metric Manipulations in Post-Tonal Music (2020)Atonal prolongational structure (1989)The Cambridge History of American Music (1998)Uniformity, Balance, and Smoothness in Atonal Voice Leading (2003)On the origins and foundations of Laplacian determinism (2014)Realism, functions, and the a priori: Ernst Cassirer's philosophy of science (2014)There Are No Such Things As Theories (2020)Fuzzy Extensions to the Theory of Contour (1997)Music and cognitive evolution (2012)
this work references cited by second hop

References

  • 1963Perspectives of New Music381 cited
  • 1974The Structure of Atonal Music161 cited
  • 1954Galileo as a Critic of the Arts154 cited
  • 1957Determinism and Indeterminism in Modern Physics96 cited

Cited by

  • 1989Stravinsky's "Mass" and Stravinsky Analysis24 cited
  • 2013Stravinsky and the Russian period: sound and legacy of a musical idiom15 cited
  • 1987The Rhythms of Form: Correspondence and Analogy in Stravinsky's Designs13 cited
  • 2006C o‐operating C ontinuities in the M usic of T homas A dès12 cited
  • 2004Debussy: The Origins of a Method11 cited
  • 2020The Music of Pavel Haas10 cited
  • 1989The State of Research in Twelve-Tone and Atonal Theory10 cited
  • 2011Taruskin's Problem(s)8 cited
  • 1992Visible and Audible Structures: Spatio-Temporal Compromise in Ligeti's Magyar Etüdök5 cited
  • 1995Stravinsky's Break with Contrapuntal Tradition: A Sketch Study5 cited
  • 2020Temporal Disruptions in Debussy's and Ravel's Programmatic Sonatas3 cited
  • 2013Eternity in Each Moment3 cited

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  • 2019Middleground Structure in the Cadenza to Boulez’s Éclat3 cited