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Spectroscopic investigation of modern pigments on purportedly medieval miniatures by the ‘Spanish Forger’
16 references·6 citing·37 second hop
Spectroscopic investigation of modern pigments on purportedly medieval miniatures by the ‘Spanish Forger’ (2009)Spectroscopic investigation of modern pig…Raman spectroscopy of synthetic organic pigments used in 20th century works of art (2008)Raman spectroscopy of synthet…Micro‐Raman spectroscopy (MRS) and surface‐enhanced Raman scattering (SERS) on organic colourants in archaeological pigments (2008)Micro‐Raman spectroscopy (MRS…Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884) (2007)Pigment study by Raman micros…Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting (2007)Non-invasive in-situ investig…Raman analysis of iron gall inks on parchment (2006)Raman analysis of iron gall i…Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art (2006)Application of surface‐enhanc…An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs (2006)An innovative surface‐enhance…Identification of nineteenth century blue and green pigments by in situ x‐ray fluorescence and micro‐Raman spectroscopy (2004)Identification of nineteenth …Pigment identification by spectroscopic means: an arts/science interface (2002)Pigment identification by spe…Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products (2001)Raman spectroscopy as a means…Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation (2001)Library of FT-Raman spectra o…Analysis of pigments in polychromes by use of laser induced breakdown spectroscopy and Raman microscopy (2000)Analysis of pigments in polyc…Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts (1997)Pigment identification on med…Synthesis, structural characterisation and Raman spectroscopy of the inorganic pigments lead tin yellow types I and II and lead antimonate yellow: their identification on medieval paintings and manuscripts (1995)Synthesis, structural charact…Indigo, woad, and Tyrian Purple: important vat dyes from antiquity to the present (1993)Indigo, woad, and Tyrian Purp…The Artist's Handbook of Materials and Techniques (1983)The Artist's Handbook of Mate…Hidden in plain sight: revisiting the synthesis, characterisation, degradation and the intricate relationship between Scheele’s green and Emerald green (2024)Hidden in plain sight: revisi…On the Hierarchical Use of Colourants in a 15th Century Book of Hours (2021)On the Hierarchical Use of Co…Raman spectroscopic analysis of an important Visigothic historiated manuscript (2016)Raman spectroscopic analysis …The efficiency of micro-Raman spectroscopy in the analysis of complicated mixtures in modern paints: Munch's and Kupka's paintings under study (2015)The efficiency of micro-Raman…A Novel Classification Method for Multispectral Imaging Combined with Portable Raman Spectroscopy for the Analysis of a Painting by Vincent Van Gogh (2013)A Novel Classification Method…Dating of Historical Manuscripts Using Spectrometric Methods: A Mini-Review (2012)Dating of Historical Manuscri…Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD) (1997)Extractionless non‐hydrolysis surface‐enhanced Raman spectroscopic detection of historical mordant dyes on textile fibers (2010)Revealing the invisible: using surface‐enhanced Raman spectroscopy to identify minute remnants of color in Winslow Homer's colorless skies (2011)Chemical characterisation of spray paints by a multi-analytical (Py/GC–MS, FTIR, μ-Raman) approach (2015)Artists' Pigments: A Handbook of Their History and Characteristics, Volume 2 (1995)Proteins in Art, Archaeology, and Paleontology: From Detection to Identification (2015)Surface‐enhanced Raman spectroscopy in art and archaeology (2015)Analytical methods for determination of anthraquinone dyes in historical textiles: A review (2019)Non-destructive pigment analysis of artefacts by Raman microscopy (1992)Laser induced breakdown spectroscopy and hyper-spectral imaging analysis of pigments on an illuminated manuscript (2001)Raman scattering features of lead pyroantimonate compounds. 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this work references cited by second hop

References

  • 2001Library of FT-Raman spectra of pigments, minerals, pigment media and varnishes, and supplement to existing library of Raman spectra of pigments with visible excitation1,046 cited
  • 2001Raman spectroscopy as a means for the identification of plattnerite (PbO2), of lead pigments and of their degradation products282 cited
  • 2006Application of surface‐enhanced Raman scattering techniques to the ultrasensitive identification of natural dyes in works of art244 cited
  • 2002Pigment identification by spectroscopic means: an arts/science interface183 cited
  • 2006An innovative surface‐enhanced Raman spectroscopy (SERS) method for the identification of six historical red lakes and dyestuffs171 cited
  • 1993Indigo, woad, and Tyrian Purple: important vat dyes from antiquity to the present171 cited
  • 2006Raman analysis of iron gall inks on parchment153 cited
  • 1995Synthesis, structural characterisation and Raman spectroscopy of the inorganic pigments lead tin yellow types I and II and lead antimonate yellow: their identification on medieval paintings and manuscripts142 cited
  • 1997Pigment identification on medieval manuscripts, paintings and other artefacts by Raman microscopy: applications to the study of three German manuscripts109 cited
  • 2008Raman spectroscopy of synthetic organic pigments used in 20th century works of art108 cited
  • 2007Pigment study by Raman microscopy of 23 paintings by the Portuguese artist Henrique Pousão (1859–1884)105 cited
  • 1983The Artist's Handbook of Materials and Techniques105 cited

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  • 2008Micro‐Raman spectroscopy (MRS) and surface‐enhanced Raman scattering (SERS) on organic colourants in archaeological pigments104 cited
  • 2000Analysis of pigments in polychromes by use of laser induced breakdown spectroscopy and Raman microscopy85 cited
  • 2007Non-invasive in-situ investigations versus micro-sampling: a comparative study on a Renoirs painting72 cited
  • 2004Identification of nineteenth century blue and green pigments by in situ x‐ray fluorescence and micro‐Raman spectroscopy69 cited
  • Cited by

    • 2013A Novel Classification Method for Multispectral Imaging Combined with Portable Raman Spectroscopy for the Analysis of a Painting by Vincent Van Gogh27 cited
    • 2015The efficiency of micro-Raman spectroscopy in the analysis of complicated mixtures in modern paints: Munch's and Kupka's paintings under study26 cited
    • 2016Raman spectroscopic analysis of an important Visigothic historiated manuscript19 cited
    • 2012Dating of Historical Manuscripts Using Spectrometric Methods: A Mini-Review19 cited
    • 2021On the Hierarchical Use of Colourants in a 15th Century Book of Hours14 cited
    • 2024Hidden in plain sight: revisiting the synthesis, characterisation, degradation and the intricate relationship between Scheele’s green and Emerald green12 cited