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A medium is always born twice …1
3 references·13 citing·39 second hop
A medium is always born twice …1 (2005)A medium is always born twice …1Vie et mort de l'image: Une histoire du regard en Occident (1995)Vie et mort de l'image: Une h…The Dialectics of Seeing: Walter Benjamin and the Arcades Project (1992)The Dialectics of Seeing: Wal…Time and narrative (1986)Time and narrativeChromatic modernity: color, cinema, and the media of the 1920s (2020)Chromatic modernity: color, c…The magic lantern: open medium (2019)The magic lantern: open mediumWeb 25 (2017)Web 25Unveiling the Biographies of Media: On the Role of Narratives, Anecdotes, and Storytelling in the Construction of New Media's Histories (2016)Unveiling the Biographies of …There Are No Old Media (2016)There Are No Old MediaThe Trouble with Theater: Cinema and the Geopolitics of Medium Specificity (2015)The Trouble with Theater: Cin…The Cinema of Exposure: Spiritualist Exposés, Technology, and the Dispositif of Early Cinema (2014)The Cinema of Exposure: Spiri…The temporalities of intermediality: Colour in cinema and the arts of the 1920s (2013)The temporalities of intermed…The grand opening of the movie theatre in the second birth of cinema (2013)The grand opening of the movi…Productive intermediality and the expert audiences of magic theatre and early film (2010)Productive intermediality and…Intermediality: Disciplinary flux or formalist retrenchment? (2010)Intermediality: Disciplinary …STRUCTURAL FILM: (2008)STRUCTURAL FILM:Mr Gilfil's Love Story : The ‘Well-Made Screenplay’ in 1920 (2008)Mr Gilfil's Love Story : The …What is cinema (1967)The World Viewed: Reflections on the Ontology of Film. (1974)The Virtual Life of Film (2007)Powers of the Real: Cinema, Gender, and Emotion in Interwar Japan (2019)Film sound: Theory and practice (1985)D.W. Griffith and the origins of American narrative film: the early years at Biograph (1991)Rethinking Media Change (2003)The Cambridge History of the Gothic (2020)Gérard Genette Paratexts (1997)Paratexts: Thresholds of Interpretation (1997)The Language of New Media (2002)Soundscapes of the Urban Past (2013)Understanding Media: The Extensions of Man (1964)We have never been modern (1994)Reassembling the Social (2005)Don’t copy that: Security printing and the making of high-tech paper (2019)On the relativity of old and new media: A lifeworld perspective (2019)The Social Life of Things (1986)The Computer for the 21st Century (1991)Interpreting the Internet: Feminist and queer counterpublics in Latin America (2018)Rethinking the distinctions between old and new media: Introduction (2019)Color Consciousness (1935)Moving Color: early film, mass culture, modernism (2013)Distant Viewing (2023)The Standard Edition of the Complete Psychological Works of Sigmund Freud (1953)Visual Pleasure and Narrative Cinema (1975)Postmodernism, or, The Cultural Logic of Late Capitalism (1992)Warhol’s 1960s’ Films, Amphetamine, and Queer Materiality (2014)Afro-Electric Counterpoint (2019)That’s All It Does (2019)Postcoloniality : The French Dimension (2007)What Is a Screen Nowadays? (2013)L’intelligence des images - l’intericonicité, enjeux et méthodes (2015)Stories of Experience and Narrative Inquiry (1990)Narrative configuration in qualitative analysis (1995)The Logic of Violence in Civil War (2006)Family Feuds: Gender, Nationalism and the Family (1993)A Space for Place in Sociology (2000)Fetishizing the modern city: the phantasmagoria of urban technological networks (2000)
this work references cited by second hop

References

  • 1986Time and narrative2,712 cited
  • 1992The Dialectics of Seeing: Walter Benjamin and the Arcades Project822 cited
  • 1995Vie et mort de l'image: Une histoire du regard en Occident149 cited

Cited by

  • 2016There Are No Old Media62 cited
  • 2020Chromatic modernity: color, cinema, and the media of the 1920s44 cited
  • 2016Unveiling the Biographies of Media: On the Role of Narratives, Anecdotes, and Storytelling in the Construction of New Media's Histories40 cited
  • 2010Productive intermediality and the expert audiences of magic theatre and early film30 cited
  • 2015The Trouble with Theater: Cinema and the Geopolitics of Medium Specificity25 cited
  • 2010Intermediality: Disciplinary flux or formalist retrenchment?25 cited
  • 2008STRUCTURAL FILM:25 cited
  • 2019The magic lantern: open medium23 cited
  • 2017Web 2516 cited
  • 2014The Cinema of Exposure: Spiritualist Exposés, Technology, and the Dispositif of Early Cinema14 cited
  • 2013The grand opening of the movie theatre in the second birth of cinema8 cited
  • 2013The temporalities of intermediality: Colour in cinema and the arts of the 1920s7 cited

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  • 2008Mr Gilfil's Love Story : The ‘Well-Made Screenplay’ in 19206 cited