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review essay: The Cinema of Attractions
10 references·5 citing·27 second hop
review essay: The Cinema of Attractions (2007)review essay: The Cinema of AttractionsCarnal thoughts: embodiment and moving image culture (2005)Carnal thoughts: embodiment a…Carnal Thoughts (2004)Carnal ThoughtsSuspensions of perception: Attention, spectacle, and modern culture (2001)Suspensions of perception: At…Suspensions of Perception (1999)Suspensions of PerceptionThe Address of the Eye (1992)The Address of the EyeAbsorption and Theatricality: Painting and Beholder in the Age of Diderot (1989)Absorption and Theatricality:…Masculinity as Spectacle (1983)Masculinity as SpectacleAbsorption and Theatricality. Painting and Beholder in the Age of Diderot. (1982)Absorption and Theatricality.…The Question Concerning Technology, and Other Essays (1977)The Question Concerning Techn…Visual Pleasure and Narrative Cinema (1975)Visual Pleasure and Narrative…Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine (2014)Some Observations Pertaining …Signatures of Motion (2014)Signatures of MotionCartoon Film Theory (2014)Cartoon Film TheoryAnimation, in Theory (2014)Animation, in TheoryAndré Martin, Inventor of Animation Cinema (2014)André Martin, Inventor of Ani…Machines and Mindlessness: Social Responses to Computers (2000)Gamifying learning experiences: Practical implications and outcomes (2013)The Politics and Poetics of Infrastructure (2013)COLLAPSE OF DISTANCE: EPISTEMIC STRATEGIES OF SCIENCE AND TECHNOSCIENCE (2006)Theory of Mind and Fictions of Embodied Transparency (2008)Hegel on the Modern Arts (2010)Objectification Theory: Toward Understanding Women's Lived Experiences and Mental Health Risks (1997)Post‐feminism and popular culture (2004)Understanding Popular Culture (2006)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)Intensities of feeling: towards a spatial politics of affect (2004)Data Derivatives (2011)Les luttes pour la visibilité (2005)What's the Point of an Index? or, Faking Photographs (2008)Embodying movies: Embodied simulation and film studies (2012)Negotiating Masculinities: Advertising and the Inversion of the Male Gaze (2002)Power and the Production of Subjects: A Genealogy of the New Man and the New Lad (2003)Slashing the Romance Narrative (2003)The Cambridge History of Literary Criticism (1997)An Ethnography of Iconoclash (2008)Historical Research on the Self and Emotions (2009)FINGERYEYES: Impressions of Cup Corals (2010)Posthuman Critical Theory (2016)A Theoretical Framework for the Critical Posthumanities (2018)Seeing What We Know: Disability and Theories of Metaphor (2010)Videographic geographies: Using digital video for geographic research (2010)Archaeology and the Senses: Human Experience, Memory, and Affect (2014)
this work references cited by second hop

References

  • 1975Visual Pleasure and Narrative Cinema8,669 cited
  • 1977The Question Concerning Technology, and Other Essays5,486 cited
  • 2004Carnal Thoughts1,296 cited
  • 1992The Address of the Eye1,199 cited
  • 1999Suspensions of Perception1,104 cited
  • 2005Carnal thoughts: embodiment and moving image culture797 cited
  • 2001Suspensions of perception: Attention, spectacle, and modern culture551 cited
  • 1983Masculinity as Spectacle338 cited
  • 1989Absorption and Theatricality: Painting and Beholder in the Age of Diderot203 cited
  • 1982Absorption and Theatricality. Painting and Beholder in the Age of Diderot.90 cited

Cited by

  • 2014Cartoon Film Theory16 cited
  • 2014André Martin, Inventor of Animation Cinema13 cited
  • 2014Signatures of Motion12 cited
  • 2014Some Observations Pertaining to Cartoon Physics; or, The Cartoon Cat in the Machine12 cited
  • 2014Animation, in Theory7 cited

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