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In situ Raman and IR spectroscopic analysis of indigo dye
3 references·16 citing·46 second hop
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this work references cited by second hop

References

  • 1997Raman spectroscopic library of natural and synthetic pigments (pre- ≈ 1850 AD)992 cited
  • 2007A Decade of Raman Spectroscopy in Art and Archaeology383 cited
  • 2005Maya Blue: A Computational and Spectroscopic Study163 cited

Cited by

  • 2016Methodological evolutions of Raman spectroscopy in art and archaeology89 cited
  • 2012Pretreatment Strategies for SERS Analysis of Indigo and Prussian Blue in Aged Painted Surfaces65 cited
  • 2012Micro‐Raman spectroscopic analysis of inks and pigments in illuminated medieval old‐Slavonic manuscripts62 cited
  • 2014New insights on blue pigments used in 15th century paintings by synchrotron radiation-based micro-FTIR and XRD42 cited
  • 2018Pigment palette study of the XIX century plafond painting by Raman spectroscopy40 cited
  • 2019A blue can conceal another! Noninvasive multispectroscopic analyses of mixtures of indigo and Prussian blue33 cited
  • 2019Poisonous books: analyses of four sixteenth and seventeenth century book bindings covered with arsenic rich green paint29 cited
  • 2017Fast direct detection of natural dyes in historic and prehistoric textiles by flowprobe™-ESI-HRMS27 cited
  • 2021Colors and dyes of archaeological textiles from Tarapacá in the Atacama Desert (South Central Andes)27 cited
  • 2018Characterization of pigments and binders in a mural painting from the Andean church of San Andrés de Pachama (northernmost of Chile)

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27 cited
  • 2018Probing some organic ukiyo-e Japanese pigments and mixtures using non-invasive and mobile infrared spectroscopies21 cited
  • 2020Dyes from the Ashes: Discovering and Characterizing Natural Dyes from Mineralized Textiles21 cited
  • 2022Identification of pigments used in a Qajar manuscript from Iran by using atomic and molecular spectroscopy and technical photography methods19 cited
  • 2016Raman spectroscopic analysis of an important Visigothic historiated manuscript19 cited
  • 2019Rubens' painting as inspiration of a later tapestry: Non-invasive analyses provide insight into artworks’ history19 cited
  • 2020Non-invasive identification of pigments in Japanese coloured photographs18 cited