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Scalar context in musical models
16 references·5 citing·27 second hop
Scalar context in musical models (2013)Scalar context in musical modelsHemiola, Maximal Evenness, and Metric Ambiguity in Late Ligeti (2012)Hemiola, Maximal Evenness, an…Spelled Heptachords (2011)Spelled HeptachordsA geometry of music: harmony and counterpoint in the extended common practice (2011)A geometry of music: harmony …The distance geometry of music (2008)The distance geometry of musicSignature Transformations (2008)Signature TransformationsMusic theory and mathematics : chords, collections, and transformations (2008)Music theory and mathematics …Generalized Voice-Leading Spaces (2008)Generalized Voice-Leading Spa…Filtered Point-Symmetry and Dynamical Voice-Leading (2008)Filtered Point-Symmetry and D…General Equal-Tempered Harmony: Parts 2 and 3 (2007)General Equal-Tempered Harmon…Enharmonic systems: A theory of key signatures, enharmonic equivalence and diatonicism (2007)Enharmonic systems: A theory …General Equal-Tempered Harmony (Introduction and Part I) (2006)General Equal-Tempered Harmon…Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition (1998)Parsimonious Graphs: A Study …Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations (1997)Neo-Riemannian Operations, Pa…Vector Products and Intervallic Weighting (1994)Vector Products and Intervall…Early Indian Heptatonic Scales and Recent Diatonic Theory (1993)Early Indian Heptatonic Scale…Maximally Even Sets (1991)Maximally Even SetsDistant Neighbors and Interscalar Contiguities (2019)Distant Neighbors and Intersc…Chord Proximity, Parsimony, and Analysis with Filtered Point-Symmetry (2019)Chord Proximity, Parsimony, a…Dancing with the Scales (2014)Dancing with the ScalesToward the reconciliation of mathematical theories of voice leading (2013)Toward the reconciliation of …A space for inflections: following up onJMM’s special issue on mathematical theories of voice leading (2013)A space for inflections: foll…Variety and Multiplicity in Diatonic Systems (1985)The Geometry of Musical Chords (2006)Layers and Elasticity in the Rhythm of Noh Songs (2019)Reframing Generated Rhythms and the Metric Matrix as Projections of Higher-Dimensional Lattices in Scott Joplin’s Music (2021)Generalized Musical Intervals and Transformations (1988)Scale Networks and Debussy (2004)The Oxford Handbook of Neo-Riemannian Music Theories (2011)The Structure of Atonal Music (1973)Special Collections (2016)Generic Sequences and the Generic Tonnetz (2020)Tonality (2023)Meter and Grouping in African Music: A View from Music Theory (2000)A Platonic Model of Funky Rhythms (2016)The Geometry of Musical Rhythm (2016)As Wonderful as Star Clusters: Instruments for Gazing at Tonality in Schubert (1999)Uniform Triadic Transformations (2002)A geometry of music: harmony and counterpoint in the extended common practice (2012)A Cognitive Theory of Musical Meaning (2000)Action and Agency Revisited (2013)The quilting points of musical modernism: revolution, reaction, and William Walton (2013)Musical Syntax I: Theoretical Perspectives (2018)Voice Leading in Set-Class Space (2005)Continuous Harmonic Spaces (2007)Schubert’s Harmonic Language and Fourier Phase Space (2015)Three Conceptions of Musical Distance (2009)Fourier Phase and Pitch-Class Sum (2019)Music Theory’s Therapeutic Imperative and the Tyranny of the Normal (2021)
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References

  • 1997Neo-Riemannian Operations, Parsimonious Trichords, and Their "Tonnetz" Representations332 cited
  • 2011A geometry of music: harmony and counterpoint in the extended common practice292 cited
  • 1998Parsimonious Graphs: A Study in Parsimony, Contextual Transformations, and Modes of Limited Transposition249 cited
  • 2008Generalized Voice-Leading Spaces235 cited
  • 1991Maximally Even Sets203 cited
  • 2008The distance geometry of music86 cited
  • 2008Signature Transformations84 cited
  • 2006General Equal-Tempered Harmony (Introduction and Part I)60 cited
  • 2007General Equal-Tempered Harmony: Parts 2 and 359 cited
  • 2011Spelled Heptachords47 cited
  • 2008Music theory and mathematics : chords, collections, and transformations32 cited
  • 1994Vector Products and Intervallic Weighting31 cited
  • 2008Filtered Point-Symmetry and Dynamical Voice-Leading31 cited
  • 2012Hemiola, Maximal Evenness, and Metric Ambiguity in Late Ligeti25 cited
  • 1993Early Indian Heptatonic Scales and Recent Diatonic Theory22 cited
  • 2007Enharmonic systems: A theory of key signatures, enharmonic equivalence and diatonicism

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Cited by

  • 2013A space for inflections: following up onJMM’s special issue on mathematical theories of voice leading9 cited
  • 2014Dancing with the Scales8 cited
  • 2019Chord Proximity, Parsimony, and Analysis with Filtered Point-Symmetry4 cited
  • 2019Distant Neighbors and Interscalar Contiguities4 cited
  • 2013Toward the reconciliation of mathematical theories of voice leading3 cited