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Crowdfunding: A Case Study of a New Model of Financing Music Production
16 references·8 citing·45 second hop
Crowdfunding: A Case Study of a New Model of Financing Music Production (2014)Crowdfunding: A Case Study of a New Model…The Cultural Industries (2019)The Cultural IndustriesNon-profit differentials in crowd-based financing: Evidence from 50,000 campaigns (2014)Non-profit differentials in c…Internal Social Capital and the Attraction of Early Contributions in Crowdfunding (2014)Internal Social Capital and t…The music industry: music in the cloud (2013)The music industry: music in …The Death and Life of the Music Industry in the Digital Age (2013)The Death and Life of the Mus…Empire of Dirt: The Aesthetics and Rituals of British Indie Music (2013)Empire of Dirt: The Aesthetic…Crowdfunding social ventures: a model and research agenda (2013)Crowdfunding social ventures:…Individual Crowdfunding Practices (2012)Individual Crowdfunding Pract…The Geography of Crowdfunding (2011)The Geography of CrowdfundingStrategic Development of Business Models: Implications of the Web 2.0 for Creating Value on the Internet (2010)Strategic Development of Busi…Strategic Development of Business Models (2010)Strategic Development of Busi…Music Genres and Corporate Cultures (2010)Music Genres and Corporate Cu…The Move to Artist-Led On-Line Music Distribution: A Theory-Based Assessment and Prospects for Structural Changes in the Digital Music Market (2006)The Move to Artist-Led On-Lin…Digital Music Wars: Ownership and Control of the Celestial Jukebox (2006)Digital Music Wars: Ownership…Contracts Between Art and Commerce (2003)Contracts Between Art and Com…All you need to know about the music business (1991)All you need to know about th…Mapping crowdfunding in cultural and creative industries: A conceptual and empirical overview (2022)Mapping crowdfunding in cultu…Financing the cultural and creative industries through crowdfunding: the role of national cultural dimensions and policies (2022)Financing the cultural and cr…Conceptual framework of the crowdfunding success factors – Review of the academic literature (2022)Conceptual framework of the c…Analysis of factors impeding access to finance in internet enabled crowdfunding: a systematic literature review (2022)Analysis of factors impeding …How do we study crowdfunding? An overview of methods and introduction to new research agenda (2018)How do we study crowdfunding?…Determinants of Tourism Crowdfunding Performance: An Empirical Study (2017)Determinants of Tourism Crowd…Early career artists and the exchange of gifts on a crowdfunding platform (2016)Early career artists and the …Crowdfunding: Towards a redefinition of the artist’s role – the case of MegaTotal (2015)Crowdfunding: Towards a redef…The Costs and Benefits of Ownership: A Theory of Vertical and Lateral Integration (1986)Economics, Organization and Management. (1993)The Theory of Economic Development (2003)Lifestyle Meets Market: Bohemian Entrepreneurs in Creative Industries (2006)The Power of Stars: Do Star Actors Drive the Success of Movies? 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this work references cited by second hop

References

  • 2019The Cultural Industries1,153 cited
  • 2014Internal Social Capital and the Attraction of Early Contributions in Crowdfunding1,024 cited
  • 2011The Geography of Crowdfunding730 cited
  • 2010Strategic Development of Business Models683 cited
  • 2010Music Genres and Corporate Cultures582 cited
  • 2012Individual Crowdfunding Practices563 cited
  • 2013Crowdfunding social ventures: a model and research agenda453 cited
  • 2013The music industry: music in the cloud326 cited
  • 2003Contracts Between Art and Commerce323 cited
  • 1991All you need to know about the music business231 cited
  • 2010Strategic Development of Business Models: Implications of the Web 2.0 for Creating Value on the Internet113 cited
  • 2006The Move to Artist-Led On-Line Music Distribution: A Theory-Based Assessment and Prospects for Structural Changes in the Digital Music Market113 cited
  • 2013Empire of Dirt: The Aesthetics and Rituals of British Indie Music110 cited
  • 2006Digital Music Wars: Ownership and Control of the Celestial Jukebox107 cited
  • 2014Non-profit differentials in crowd-based financing: Evidence from 50,000 campaigns101 cited

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2013
The Death and Life of the Music Industry in the Digital Age
96 cited

Cited by

  • 2016Early career artists and the exchange of gifts on a crowdfunding platform29 cited
  • 2022Financing the cultural and creative industries through crowdfunding: the role of national cultural dimensions and policies29 cited
  • 2015Crowdfunding: Towards a redefinition of the artist’s role – the case of MegaTotal24 cited
  • 2017Determinants of Tourism Crowdfunding Performance: An Empirical Study24 cited
  • 2022Mapping crowdfunding in cultural and creative industries: A conceptual and empirical overview22 cited
  • 2018How do we study crowdfunding? An overview of methods and introduction to new research agenda17 cited
  • 2022Conceptual framework of the crowdfunding success factors – Review of the academic literature13 cited
  • 2022Analysis of factors impeding access to finance in internet enabled crowdfunding: a systematic literature review12 cited