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From "Mankind" to Marlowe: Growth of Structure in the Popular Drama of Tudor England.
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Cited by

  • 2012The Cambridge Introduction to Christopher Marlowe50 cited
  • 2008Work and Play on the Shakespearean Stage45 cited
  • 2009Shakespeare and the power of performance: stage and page in the Elizabethan theatre35 cited
  • 2013The Girlhood of Shakespeare's Sisters33 cited
  • 2010Actors and Acting in Shakespeare's Time: The Art of Stage Playing28 cited
  • 1998The Confusions of Gallathea: John Lyly as Popular Dramatist19 cited
  • 2007Wager's Drama of Conscience, Convention, and State Constitution15 cited
  • 2013The Girlhood of Shakespeare's Sisters15 cited
  • 2013Marlowe and the self14 cited
  • 2017Shakespeare’s Legal Ecologies13 cited
  • 2013The professional theatre and Marlowe10 cited
  • 1986Devotional Themes in the Violence and Humor of the Play of the Sacrament10 cited
  • 2017The Dynamics of Inheritance on the Shakespearean Stage7 cited
  • 2006Material Economy, Spiritual Economy, and Social Critique in Everyman6 cited
  • 2018Religious Conversion in Early Modern English Drama6 cited

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2002
The Performance of Disguise
6 cited