SZodixStudyAcademic Library
DashboardShelvesOpen accessMy libraryInboxNotesWriteLearnAlerts
More
Ask your libraryNotificationsQuick citeReview
Study · an open academic library·Metadata from OpenAlex (CC0)·Shelves·OpenAlex metadata, de-duplicated
La « tablature » des goûts musicaux : un modèle de structuration des préférences et des jugements
10 references·16 citing·38 second hop
La « tablature » des goûts musicaux : un modèle de structuration des préférences et des jugements (2009)La « tablature » des goûts musicaux : un …The musical field (2006)The musical fieldSubcultures, Scenes or Tribes? None of the Above (2005)Subcultures, Scenes or Tribes…Social Differentiation in Musical Taste Patterns (2001)Social Differentiation in Mus…Making Popular Music: Musicians, Creativity and Institutions (2000)Making Popular Music: Musicia…Performing Rites: Evaluating Popular Music (1998)Performing Rites: Evaluating …What about the univores? Musical dislikes and group-based identity construction among Americans with low levels of education (1997)What about the univores? Musi…Performing Rites (1996)Performing RitesClub cultures: music, media and subcultural capital (1996)Club cultures: music, media a…Producing Artistic Value: The Case of Rock Music (1994)Producing Artistic Value: The…The Long Revolution (1961)The Long RevolutionMusic-genre identification in adolescents: An exploratory study (2023)Music-genre identification in…Tastes of our time: analysing age cohort effects in the contemporary distribution of music tastes (2020)Tastes of our time: analysing…Les formes de distinction parmi les jeunes auditeurs de rap et de r‘n’b : d’une sociologie de la consommation à une sociologie de la réception (2020)Les formes de distinction par…L’économie de la découverte musicale à l’ère numérique (2019)L’économie de la découverte m…Intergenerational transmissions and sharing of musical taste practices (2019)Intergenerational transmissio…When Club Culture Goes Online: The Case of Boiler Room (2016)When Club Culture Goes Online…Transmissions culturelles entre parents et enfants : le cas des goûts musicaux (2016)Transmissions culturelles ent…Festivalisation: Patterns and Limits (2015)Festivalisation: Patterns and…Voir et se voir : Le rôle des écrans dans les festivals de musique amplifiée (2014)Voir et se voir : Le rôle des…The ‘Mozart Effect’: A Sociological Reappraisal (2014)The ‘Mozart Effect’: A Sociol…Quand la culture de la discothèque est mise en ligne : Le cas du site Boiler Room (2014)Quand la culture de la discot…Bien pratiquer la nature... pour protéger les Calanques ? (2014)Bien pratiquer la nature... p…The democratisation of culture in France in the nineteenth & twentieth centuries: an obsolete ambition? (2013)The democratisation of cultur…L’enseignement de la musique, entre institution scolaire et conservatoires. Éclairages mutuels des sociologies de l’éducation et de la culture (2013)L’enseignement de la musique,…Tablatures of musical tastes in contemporary France: distinction without intolerance (2012)Tablatures of musical tastes …Vérité de l'autodidaxie. Ethnographie de la transmission guitariste (2011)Vérité de l'autodidaxie. Ethn…Photography: a middle-brow art (1991)The postmodern condition (1994)I’d Like to Thank the Academy, Team Spillovers, and Network Centrality (2010)Cultural sociology and new forms of distinction (2015)Distinction: A Social Critique of the Judgement of Taste* (2018)From Aristocratic to Ordinary: Shifting Modes of Elite Distinction (2020)Music in Everyday Life (2000)Cultural capital today (2008)Social Spaces of Music: Introduction (2014)Subcultural escapades via music consumption: Identity transformations and extraordinary experiences in Dionysian music subcultures (2015)Systems of articulation, logics of change: Communities and scenes in popular music (1991)3.2. MARXISM AND LITERATURE (2006)In Defence of Subculture: Young People, Leisure and Social Divisions (2006)The post-subcultural turn: some reflections 10 years on (2011)Youth transitions, unemployment and underemployment (2011)The consequences of modernity (1990)Can Consumers Escape the Market? Emancipatory Illuminations from Burning Man (2002)The Forms of Capital (2002)Consumer Culture Theory (CCT): Twenty Years of Research (2005)Where Consumers Diverge from Others: Identity Signaling and Product Domains (2007)Outline of a Theory of Practice (1977)Outline of a Theory of Practice. (1980)The Production of Culture Perspective (2004)You Can't Always Get What You Want: Educational Attainment, Agency, and Choice. (2005)How Cultural Tastes Shape Personal Networks (2006)Studying Popular Music (1990)Structural Equations with Latent Variables. (1991)Ideal Affect: Cultural Causes and Behavioral Consequences (2007)THE INVERSE CARE LAW (1971)Changing Highbrow Taste: From Snob to Omnivore (1996)Discourse: A Critical Introduction. (2008)In Search of Authenticity* (2005)Classification as Culture: Types and Trajectories of Music Genres (2008)After Adorno : rethinking music sociology (2003)Key themes in media theory (2007)Space-form and the acousmatic image (2007)Looking for work in creative industries policy (2009)Cultural entrepreneurs, cultural entrepreneurship: Music producers mobilising and converting Bourdieu's alternative capitals (2012)
this work references cited by second hop

References

  • 1961The Long Revolution3,221 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 1996Performing Rites1,123 cited
  • 2005Subcultures, Scenes or Tribes? None of the Above413 cited
  • 2001Social Differentiation in Musical Taste Patterns402 cited
  • 2000Making Popular Music: Musicians, Creativity and Institutions382 cited
  • 1998Performing Rites: Evaluating Popular Music287 cited
  • 1994Producing Artistic Value: The Case of Rock Music281 cited
  • 1997What about the univores? Musical dislikes and group-based identity construction among Americans with low levels of education194 cited
  • 2006The musical field124 cited

Cited by

  • 2015Festivalisation: Patterns and Limits33 cited
  • 2020Tastes of our time: analysing age cohort effects in the contemporary distribution of music tastes30 cited
  • 2012Tablatures of musical tastes in contemporary France: distinction without intolerance18 cited
  • 2013L’enseignement de la musique, entre institution scolaire et conservatoires. Éclairages mutuels des sociologies de l’éducation et de la culture18 cited
  • 2019L’économie de la découverte musicale à l’ère numérique

Only edges whose both ends are imported exist here. Widen the year window, or show the whole map. Back to the work

17 cited
  • 2014Bien pratiquer la nature... pour protéger les Calanques ?16 cited
  • 2019Intergenerational transmissions and sharing of musical taste practices12 cited
  • 2016Transmissions culturelles entre parents et enfants : le cas des goûts musicaux8 cited
  • 2020Les formes de distinction parmi les jeunes auditeurs de rap et de r‘n’b : d’une sociologie de la consommation à une sociologie de la réception7 cited
  • 2013The democratisation of culture in France in the nineteenth & twentieth centuries: an obsolete ambition?7 cited
  • 2014The ‘Mozart Effect’: A Sociological Reappraisal6 cited
  • 2011Vérité de l'autodidaxie. Ethnographie de la transmission guitariste5 cited
  • 2014Quand la culture de la discothèque est mise en ligne : Le cas du site Boiler Room5 cited
  • 2023Music-genre identification in adolescents: An exploratory study4 cited
  • 2016When Club Culture Goes Online: The Case of Boiler Room4 cited
  • 2014Voir et se voir : Le rôle des écrans dans les festivals de musique amplifiée4 cited