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Articulation, Elision, and Ambiguity in Schubert's Mature Sonata Forms: The Op. 99 Trio Finale in Its Context
4 references·9 citing·34 second hop
Articulation, Elision, and Ambiguity in Schubert's Mature Sonata Forms: The Op. 99 Trio Finale in Its Context (1988)Articulation, Elision, and Ambiguity in S…Schubert Studies: Problems of Style and Chronology (1983)Schubert Studies: Problems of…Musical Form and Musical Performance (1971)Musical Form and Musical Perf…Versuch einer Anleitung zur Composition (1969)Versuch einer Anleitung zur C…Musical Form and Musical Performance (1969)Musical Form and Musical Perf…How Sonata Forms (2022)How Sonata FormsSchubert's Bi‐rotational Sonata Forms: Developmental Function and the Type 1–2 Hybrid (2021)Schubert's Bi‐rotational Sona…Of Beginnings and Ends (2017)Of Beginnings and EndsRethinking Schubert (2016)Rethinking SchubertRecords of Inspiration (2016)Records of InspirationMusical Causality and Schubert’s Piano Sonata in A Major, D 959, First Movement (2016)Musical Causality and Schuber…In Search of Liberated Time, or Schubert's Quartet in G Major, D. 887: Once More Between Sonata and Variation (2016)In Search of Liberated Time, …Higher Echoes of the Past in the Finale of Schumann's 1842 Piano Quartet (2004)Higher Echoes of the Past in …Schubert'sQuartettsatzand sonata form's new way1 (2002)Schubert'sQuartettsatzand son…Fundamentals of Musical Composition (1968)Classic Music: Expression, Form, and Style (1981)Phrase Rhythm in Tonal Music (1991)Remembering a Dream: The Tragedy of Romantic Memory in the Modulatory Processes of Schubert's Sonata Forms (2012)The New Grove Dictionary of Music and Musicians (1981)Clara Schumann: The Artist and the Woman (1985)The classical style: Haydn, Mozart, Beethoven (1997)Schumann’s Continuous Expositions and the Classical Tradition (2014)Schumann's a-Minor Mood (2016)Parallel Binary or Tripartite? Formal Hybridisation of Sonata Types in the Nineteenth Century (2021)Classical form : a theory of formal functions for the instrumental music of Haydn, Mozart, and Beethoven (1998)The New Grove dictionary of music and musicians (2001)Elements of Sonata Theory (2006)Form and Orbital Tonality in the Finale of Bruckner's Seventh Symphony (2018)Recapitulatory Compressions in Some Texted and Instrumental Works by Schubert (2020)Temporalities of North Indian Classical Listening: How Listeners Use Music to Construct Time (2021)Tractatus Logico-Philosophicus (1961)The navigation of feeling a framework for the history of emotions (2001)Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata (2006)The Iron Cage Revisited: Institutional Isomorphism and Collective Rationality in Organizational Fields (1983)The iron cage revisited institutional isomorphism and collective rationality in organizational fields (2004)The Theory of Moral Sentiments (2010)Towards a History of Viennese Chamber Music in the Early Classical Period (1974)Theories of musical rhythm in the eighteenth and nineteenth centuries (2002)The ‘Continuous Exposition’ and the Concept of Subordinate Theme (2015)Musical Performance as Interpretation (1995)Fantasy Pieces (1999)From Policy “Frames” to “Framing” (2014)Gradus ad Parnassum: Beethoven, Schubert, and the Romance of Counterpoint (1987)Performance Tradition, Steady and Proportional Tempos, and the First Movements of Schubert's Symphonies (1987)Piano Four-Hands: Schubert and the Performance of Gay Male Desire (1997)A Myriad of Exceptions? Challenging the Sonata‐Form Typology for the Classical Repertoire (2021)Schubert's Sonata Form and Brahms's First Maturity (II) (1979)The Dramatization of Hypermetric Conflicts in the Scherzo of Beethoven's Ninth Symphony (1992)
this work references cited by second hop

References

  • 1969Musical Form and Musical Performance314 cited
  • 1969Versuch einer Anleitung zur Composition242 cited
  • 1971Musical Form and Musical Performance174 cited
  • 1983Schubert Studies: Problems of Style and Chronology106 cited

Cited by

  • 2004Higher Echoes of the Past in the Finale of Schumann's 1842 Piano Quartet21 cited
  • 2016In Search of Liberated Time, or Schubert's Quartet in G Major, D. 887: Once More Between Sonata and Variation18 cited
  • 2016Musical Causality and Schubert’s Piano Sonata in A Major, D 959, First Movement17 cited
  • 2017Of Beginnings and Ends12 cited
  • 2022How Sonata Forms9 cited
  • 2002Schubert'sQuartettsatzand sonata form's new way16 cited
  • 2016Rethinking Schubert6 cited
  • 2021Schubert's Bi‐rotational Sonata Forms: Developmental Function and the Type 1–2 Hybrid4 cited
  • 2016Records of Inspiration4 cited

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