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The ‘crossover’ audience: Mediated multiculturalism and the Indian film
13 references·6 citing·35 second hop
The ‘crossover’ audience: Mediated multiculturalism and the Indian film (2008)The ‘crossover’ audience: Mediated multic…Bollyworld: Popular Indian Cinema through a Transnational Lens (2006)Bollyworld: Popular Indian Ci…Bollyworld: popular Indian cinema through a transnational lens (2006)Bollyworld: popular Indian ci…Transnational television, cultural identity and change: when STAR came to India (2004)Transnational television, cul…Beyond Bollywood (2004)Beyond BollywoodBeyond Bollywood : the cultural politics of South Asian diasporic film (2004)Beyond Bollywood : the cultur…The 'Bollywoodization' of the Indian cinema: cultural nationalism in a global arena (2003)The 'Bollywoodization' of the…Hong Kong action film in the Indian B circuit (2003)Hong Kong action film in the …Culture and Economy in the Indian Diaspora (2003)Culture and Economy in the In…Viewing the West through Bollywood: A celluloid Occident in the making (2002)Viewing the West through Boll…Making meaning in Indian cinema (2000)Making meaning in Indian cine…Image journeys : audio-visual media and cultural change in India (1999)Image journeys : audio-visual…Indian films and Nigerian lovers: media and the creation of parallel modernities (1997)Indian films and Nigerian lov…Our Films, Their Films (1976)Our Films, Their FilmsTheorising cult cosmopolitanism: the transnational reception of Bollywood as cult cinema (2016)Theorising cult cosmopolitani…The production ofEk Tha Tiger: A marriage of convenience between Bollywood and the Irish film and tourist industries (2016)The production ofEk Tha Tiger…Transnational audiences: geocultural approaches (2013)Transnational audiences: geoc…Another Look At Orientalism: (An)Othering inSlumdog Millionaire (2013)Another Look At Orientalism: …Slumdog Millionaire Meets “India Shining”: (Trans)national Narrations of Identity in South Asian Diaspora (2011)Slumdog Millionaire Meets “In…Asserting nationalism in a cosmopolitan world: globalized Indian cultures in Yash Raj Films (2011)Asserting nationalism in a co…Comics: Ideology, Power and the Critics (1989)Phir Bhi Dil Hai Hindustani (Yet the Heart Remains Indian): Bollywood, the ‘Homeland’ Nation-State, and the Diaspora (2007)Imagined spaces: The implications of song and dance for Bollywood's diasporic communities (2008)Nostalgia, Identity and Tourism:Bollywoodin the Indian Diaspora (2008)Psychoanalysis and Cinema (1982)The Imaginary Signifier: Psychoanalysis and the Cinema (1983)Modernity at Large: Cultural Dimensions of Globalization. (1998)The Postcolonial Constellation: Contemporary Art in a State of Permanent Transition (2003)Clusters, Connectivity and Catch-up: Bollywood and Bangalore in the Global Economy (2012)Veiled Sentiments: Honor and Poetry in a Bedouin Society (1987)Recapturing anthropology: working in the present (1992)Cultural Complexity: Studies in the Social Organization of Meaning. (1994)Culture, Globalization, Mediation (2004)Degraded Images, Distorted Sounds: Nigerian Video and the Infrastructure of Piracy (2004)World Cinemas, Transnational Perspectives (2009)How To Do Things With Words (1975)Imagined Communities. Reflections on the Origin and Spread of Nationalism (1985)A Thousand Plateaus: Capitalism and Schizophrenia (1989)QUEERING CITIZENSHIP? (2005)Shifting analytics and linking theories: A conversation about the “meaning-making” of intersectionality and transnational feminism (2015)Music Television and the Invention of Youth Culture in India (2002)"Very Bombay": Contending with the Global in an Indian Advertising Agency (2003)Vigilante Publics: Orientalism, Modernity and Hindutva Fascism in India (2018)Changing forms of transnationalism (2009)Concepts of transnational cinema: towards a critical transnationalism in film studies (2010)COSMOPOLITANISM, REMEDIATION, AND THE GHOST WORLD OF BOLLYWOOD (2010)Immigration and Ethnic Change in Low‐Fertility Countries: A Third Demographic Transition (2006)The Myth of Return: Dismissal, Survival or Revival? A Bradford Example of Transnationalism as a Political Instrument (2006)The fertility of ethnic minorities in the UK, 1960s–2006 (2010)The Globalization of Bollywood: An Ethnography of Non-Elite Audiences in India (2007)The Supreme Court, the Media, and the Uniform Civil Code Debate in India (2007)Breakout from Bollywood? The roles of social networks and regulation in the evolution of Indian film industry (2008)“I Need an Indian Touch”: Glocalization and Bollywood Films (2010)THE “LOCAL” IN GLOBAL MEDIA ETHICS (2011)Bollywood in the Indian-American diaspora (2005)
this work references cited by second hop

References

  • 1997Indian films and Nigerian lovers: media and the creation of parallel modernities445 cited
  • 2003The 'Bollywoodization' of the Indian cinema: cultural nationalism in a global arena312 cited
  • 2000Making meaning in Indian cinema267 cited
  • 2004Beyond Bollywood185 cited
  • 2004Beyond Bollywood : the cultural politics of South Asian diasporic film156 cited
  • 2003Culture and Economy in the Indian Diaspora149 cited
  • 2006Bollyworld: Popular Indian Cinema through a Transnational Lens128 cited
  • 1999Image journeys : audio-visual media and cultural change in India124 cited
  • 2006Bollyworld: popular Indian cinema through a transnational lens86 cited
  • 2002Viewing the West through Bollywood: A celluloid Occident in the making67 cited
  • 2004Transnational television, cultural identity and change: when STAR came to India66 cited
  • 1976Our Films, Their Films43 cited
  • 2003Hong Kong action film in the Indian B circuit34 cited

Cited by

  • 2013Transnational audiences: geocultural approaches34 cited
  • 2011Slumdog Millionaire Meets “India Shining”: (Trans)national Narrations of Identity in South Asian Diaspora22 cited

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  • 2011Asserting nationalism in a cosmopolitan world: globalized Indian cultures in Yash Raj Films17 cited
  • 2013Another Look At Orientalism: (An)Othering inSlumdog Millionaire17 cited
  • 2016The production ofEk Tha Tiger: A marriage of convenience between Bollywood and the Irish film and tourist industries8 cited
  • 2016Theorising cult cosmopolitanism: the transnational reception of Bollywood as cult cinema7 cited