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Chemical characterization of protein based binders in painting samples by means of ToF-SIMS: Tests on ancient and model samples
15 references·0 citing·42 second hop
Chemical characterization of protein based binders in painting samples by means of ToF-SIMS: Tests on ancient and model samples (2014)Chemical characterization of protein base…Identification of animal glue and hen-egg yolk in paintings by use of enzyme-linked immunosorbent assay (ELISA) (2013)Identification of animal glue…An integrated approach to the study of a reworked painting “Madonna with child” attributed to Pietro Lorenzetti (2013)An integrated approach to the…Analysis of egg-based model wall paintings by use of an innovative combined dot-ELISA and UPLC-based approach (2012)Analysis of egg-based model w…Unexpected Materials in a Rembrandt Painting Characterized by High Spatial Resolution Cluster-TOF-SIMS Imaging (2011)Unexpected Materials in a Rem…Identification of Different Copper Green Pigments in Renaissance Paintings by Cluster-TOF-SIMS Imaging Analysis (2011)Identification of Different C…Quantitative determination of un-derivatised amino acids in artistic mural paintings using high-performance liquid chromatography/electrospray ionization triple quadrupole mass spectrometry (2010)Quantitative determination of…Preliminary study of UV ageing process of proteinaceous paint binder by FT-IR and principal component analysis (2008)Preliminary study of UV agein…Evaluation of the “added value” of SIMS: A mass spectrometric and spectroscopic study of an unusual Naples yellow oil paint reconstruction (2008)Evaluation of the “added valu…Chemical imaging techniques for the analysis of complex mixtures: New application to the characterization of ritual matters on African wooden statuettes (2006)Chemical imaging techniques f…Applications of SIMS to cultural heritage studies (2006)Applications of SIMS to cultu…An evaluation of GC‐MS and HPLC‐FD methods for analysis of protein binders in paintings (2006)An evaluation of GC‐MS and HP…Feasibility of analyzing molecular pigments in paint layers using TOF S–SIMS (2005)Feasibility of analyzing mole…Imaging Secondary Ion Mass Spectrometry of a Paint Cross Section Taken from an Early Netherlandish Painting by Rogier van der Weyden (2004)Imaging Secondary Ion Mass Sp…Classification of ancient proteinaceous painting media by the joint use of pattern recognition and factor analysis on GC/MS data (1999)Classification of ancient pro…Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings (1996)Gas chromatographic-mass spec…Ageing and Deterioration of Proteinaceous Media (1981)Analysis of Aged Paint Binders by FTIR Spectroscopy (1990)Characterisation of proteinaceous binders in artistic paintings by chromatographic techniques (2004)A study of the interaction between rabbit glue binder and blue copper pigment under UV radiation: A spectroscopic and PCA approach (2010)Assessment of Raman microscopy coupled with principal component analysis to examine egg yolk–pigment interaction based on the protein CH stretching region (3100–2800 cm−1) (2011)Collagen‐based proteinaceous binder‐pigment interaction study under UV ageing conditions by MALDI‐TOF‐MS and principal component analysis (2012)The Organic Chemistry of Museum Objects (1988)Novel analytical methods for characterising binding media and protective coatings in artworks (2008)Organic Mass Spectrometry in Art and Archaeology (2009)Development and application of an ELISA method for the analysis of protein-based binding media of artworks (2014)Identification of Organic Binders in Ancient Chinese Paintings by Immunological Techniques (2015)Species identification of Bombyx mori and Antheraea pernyi silk via immunology and proteomics (2019)Non-Destructive Microanalysis of Cultural Heritage Materials (2004)Analytical Imaging Studies Clarifying the Process of the Darkening of Vermilion in Paintings (2005)ToF‐SIMS Study of Organic Materials in Cultural Heritage: Identification and Chemical Imaging (2009)ToF–SIMS imaging of molecular-level alteration mechanisms in Le Bonheur de vivre by Henri Matisse (2015)Time‐of‐flight secondary ion mass spectrometry imaging in cultural heritage: A focus on old paintings (2021)The Organic Chemistry of Museum Objects (1987)ATR-FTIR imaging for the analysis of organic materials in paint cross sections: case studies on paint samples from the National Gallery, London (2008)Revealing the composition of organic materials in polychrome works of art: the role of mass spectrometry-based techniques (2016)Detectors and Cultural Heritage: The INFN-CHNet Experience (2021)Characterisation of proteinaceous binders and drying oils in wall painting samples by gas chromatography–mass spectrometry (1999)Analysis with micro-Raman spectroscopy of natural organic binding media and varnishes used in art (2000)Spectroscopic Techniques in Cultural Heritage Conservation: A Survey (2005)Investigation of organic additives in Italian Renaissance devotion stucco reliefs from French collections (2019)Advantages of the Use of SR-FT-IR Microspectroscopy: Applications to Cultural Heritage (2005)Identification of reaction compounds in micrometric layers from gothic paintings using combined SR-XRD and SR-FTIR (2009)ATR-FTIR microscopy in mapping mode for the study of verdigris and its secondary products (2015)High mass and spatial resolution mass spectrometry imaging of Nicolas Poussin painting cross section by cluster TOF‐SIMS (2016)Cross-Sections and Chemical Analysis of Paint Samples (1956)Attenuated Total Reflection–Fourier transform infrared microspectroscopic mapping for the characterisation of paint cross-sections (2007)Micro-analytical study of interactions between oil and lead compounds in paintings (2007)A Critical Review on the Analysis of Metal Soaps in Oil Paintings (2021)The Gas Chromatographic Examination of Paint Media. Part I. Fatty Acid Composition and Identification of Dried Oil Films (1966)Two procedures for suppressing interference from inorganic pigments in the analysis by gas chromatography–mass spectrometry of proteinaceous binders in paintings (1999)Classification and identification of organic binding media in artworks by means of Fourier transform infrared spectroscopy and principal component analysis (2011)Cleaning painted surfaces: evaluation of leaching phenomenon induced by solvents applied for the removal of gel residues (2014)Analytical Imaging Studies of Cross-Sections of Paintings Affected by Lead Soap Aggregate Formation (2007)Characterization of Zinc Carboxylates in an Oil Paint Test Panel (2019)Zinc Soaps: An Overview of Zinc Oxide Reactivity and Consequences of Soap Formation in Oil-Based Paintings (2019)Review of recent advances on the use of mass spectrometry techniques for the study of organic materials in painted artworks (2022)Multivariate chemical mapping of pigments and binders in easel painting cross-sections by micro IR reflection spectroscopy (2010)
this work references cited by second hop

References

  • 2004Imaging Secondary Ion Mass Spectrometry of a Paint Cross Section Taken from an Early Netherlandish Painting by Rogier van der Weyden99 cited
  • 1996Gas chromatographic-mass spectrometric approach to the problem of characterizing binding media in paintings83 cited
  • 2011Unexpected Materials in a Rembrandt Painting Characterized by High Spatial Resolution Cluster-TOF-SIMS Imaging65 cited
  • 2006Chemical imaging techniques for the analysis of complex mixtures: New application to the characterization of ritual matters on African wooden statuettes56 cited
  • 2011Identification of Different Copper Green Pigments in Renaissance Paintings by Cluster-TOF-SIMS Imaging Analysis49 cited
  • 2013Identification of animal glue and hen-egg yolk in paintings by use of enzyme-linked immunosorbent assay (ELISA)47 cited
  • 2008Preliminary study of UV ageing process of proteinaceous paint binder by FT-IR and principal component analysis44 cited
  • 2008Evaluation of the “added value” of SIMS: A mass spectrometric and spectroscopic study of an unusual Naples yellow oil paint reconstruction40 cited
  • 2006An evaluation of GC‐MS and HPLC‐FD methods for analysis of protein binders in paintings38 cited
  • 2006Applications of SIMS to cultural heritage studies34 cited
  • 2012Analysis of egg-based model wall paintings by use of an innovative combined dot-ELISA and UPLC-based approach28 cited
  • 2010Quantitative determination of un-derivatised amino acids in artistic mural paintings using high-performance liquid chromatography/electrospray ionization triple quadrupole mass spectrometry

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28 cited
  • 1999Classification of ancient proteinaceous painting media by the joint use of pattern recognition and factor analysis on GC/MS data27 cited
  • 2005Feasibility of analyzing molecular pigments in paint layers using TOF S–SIMS21 cited
  • 2013An integrated approach to the study of a reworked painting “Madonna with child” attributed to Pietro Lorenzetti19 cited
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