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The PECMA Flow: A General Model of Visual Aesthetics
5 references·4 citing·31 second hop
The PECMA Flow: A General Model of Visual Aesthetics (2006)The PECMA Flow: A General Model of Visual…The Neurology of Narrative (2001)The Neurology of NarrativeConsciousness : how matter becomes imagination (2001)Consciousness : how matter be…The periconscious substrates of consciousness: Affective states and the evolutionary origins of the SELF (1998)The periconscious substrates …Emotion and the structure of narrative film film as an emotion machine (1996)Emotion and the structure of …Women, Fire, and Dangerous Things: What Categories Reveal about the Mind (1988)Women, Fire, and Dangerous Th…Characters in Film and Other Media (2025)Characters in Film and Other …Epilogue (2020)EpilogueFilm as Embodied Art (2019)Film as Embodied ArtFilms and Existential Feelings (2016)Films and Existential FeelingsAn Introduction to the Structural Analysis of Narrative (1975)Image-Music-Text (1977)The Narrative Construction of Reality (1991)Storytelling as Research/Research as Storytelling (2011)Cultural Characters and Climate Change: How Heroes Shape Our Perception of Climate Science (2013)Jupyter: Thinking and Storytelling With Code and Data (2021)The feeling of what happens: body and emotion in the making of consciousness (2000)The Feeling of What Happens: Body and Emotion in the Making of Consciousness (2000)Non-Representational Theory (2008)A Theory of Cognitive Dissonance (1957)Belief, Attitude, Intention and Behavior: An Introduction to Theory and Research (1975)Outline of a Theory of Practice (1977)The Presentation of Self in Everyday Life. (1956)Metaphors We Live By (2003)How Motion Shapes Thought in Cinema (2020)The Presentation of Self in Everyday Life (2023)What Is It Like to Be a Bat? (1974)An Overview of the Schwartz Theory of Basic Values (2012)Toward a Field of Intersectionality Studies: Theory, Applications, and Praxis (2013)Zombies and Consciousness (2005)Handbook of Teacher Education (2006)The Radical Plasticity Thesis: How the Brain Learns to be Conscious (2011)Some Like It Bad: Testing a Model for Perceiving and Experiencing Fictional Characters (2005)Chapter 9 Toward a Comprehensive Model of Comprehension (2009)The Role of a Narrative's Emotional Flow in Promoting Persuasive Outcomes (2014)Empathy and consciousness (2001)The trans-species concept of self and the subcortical–cortical midline system (2008)The “Id” Knows More than the “Ego” Admits: Neuropsychoanalytic and Primal Consciousness Perspectives on the Interface Between Affective and Cognitive Neuroscience (2012)Understanding and Validity in Qualitative Research (1992)The contemporary theory of metaphor (1993)On Two Metaphors for Learning and the Dangers of Choosing Just One (1998)
this work references cited by second hop

References

  • 1988Women, Fire, and Dangerous Things: What Categories Reveal about the Mind7,367 cited
  • 1996Emotion and the structure of narrative film film as an emotion machine547 cited
  • 1998The periconscious substrates of consciousness: Affective states and the evolutionary origins of the SELF332 cited
  • 2001Consciousness : how matter becomes imagination309 cited
  • 2001The Neurology of Narrative178 cited

Cited by

  • 2016Films and Existential Feelings30 cited
  • 2019Film as Embodied Art16 cited
  • 2020Epilogue7 cited
  • 2025Characters in Film and Other Media6 cited

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