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From the Buzzard's Roost: Black Movie-going in Durham and Other North Carolina Cities during the Early Period of American Cinema
8 references·0 citing·22 second hop
From the Buzzard's Roost: Black Movie-going in Durham and Other North Carolina Cities during the Early Period of American Cinema (2005)From the Buzzard's Roost: Black Movie-goi…The Sounds of Early Cinema (2001)The Sounds of Early CinemaAmerican movie audiences: from the turn of the century to the early sound era (2000)American movie audiences: fro…Shared Pleasures: A History of Movie Presentation in the United States. (1993)Shared Pleasures: A History o…Another Audience: Black Moviegoing, 1907-16 (1992)Another Audience: Black Movie…“The Finest Outside the Loop”: Motion Picture Exhibition in Chicago's Black Metropolis, 1905–1928 (1990)“The Finest Outside the Loop”…Film history: Theory and practice (1985)Film history: Theory and prac…Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films (1973)Toms, Coons, Mulattoes, Mammi…From Slavery to Freedom (1948)From Slavery to FreedomResource Partitioning, the Founding of Specialist Firms, and Innovation: The American Feature Film Industry, 1912–1929 (2000)Film Festivals : From European Geopolitics to Global Cinephilia (2007)the oppositional gaze black female spectators (2014)The Canon Debate, Knowledge Construction, and Multicultural Education (1993)Critical Race Theory and Education: History, Theory, and Implications (1997)Collective Identity and the Burden of “Acting White” in Black History, Community, and Education (2004)Hope and Independence: Blacks' Response to Electoral and Party Politics. By Patricia Gurin, Shirley Hatchett, and James S. Jackson. New York: Russell Sage Foundation, 1989. 356p. $37.50. (1991)The Historical Reconstruction of Knowledge About Race: Implications for Transformative Teaching (1995)A Research Agenda for the Black Middle Class: Work Stress, Survival Strategies, and Mental Health (2003)CULT FICTIONS: CULT MOVIES, SUBCULTURAL CAPITAL AND THE PRODUCTION OF CULTURAL DISTINCTIONS (2002)RELOCATING AMERICAN FILM HISTORY (2006)Uniform prices for differentiated goods: The case of the movie-theater industry (2007)Class markers in the mass movie audience: A case study in the cultural geography of moviegoing, 1926‐1932 (1998)Responding to the Talkies (2012)Lester Walton's Écriture Noir : Black Spectatorial Transcodings of "Cinematic Excess" (2000)Popular Songs and Comic Allusion in Contemporary Cinema (2001)The Girl and the Phonograph; or the Vamp and the Machine Revisited (2001)Reframing Cinematic Space and Audience Practice in the Digital Age (2015)Memories of cinemagoing and film experience: An introduction (2017)The Sound of Evolution (2003)Sound matters: Notes toward the analysis and design of sound in multimodal webtexts (2006)Universally speaking: Lost in Translation and polyglot cinema (2021)
this work references cited by second hop

References

  • 1973Toms, Coons, Mulattoes, Mammies, and Bucks: An Interpretive History of Blacks in American Films457 cited
  • 1985Film history: Theory and practice446 cited
  • 1948From Slavery to Freedom243 cited
  • 1993Shared Pleasures: A History of Movie Presentation in the United States.208 cited
  • 2000American movie audiences: from the turn of the century to the early sound era126 cited
  • 2001The Sounds of Early Cinema91 cited
  • 1990“The Finest Outside the Loop”: Motion Picture Exhibition in Chicago's Black Metropolis, 1905–192887 cited
  • 1992Another Audience: Black Moviegoing, 1907-1649 cited

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