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Introduction: Screened Music, Trans-contextualisation and Ethnomusicological Approaches
16 references·5 citing·36 second hop
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References

  • 1997Growing Up Digital: The Rise of the Net Generation2,745 cited
  • 1996Club cultures: music, media and subcultural capital1,941 cited
  • 1983On Ethnographic Authority1,009 cited
  • 1993Cassette culture: popular music and technology in north India635 cited
  • 1998Analysing Musical Multimedia560 cited
  • 2000Western music and its others : difference, representation, and appropriation in music559 cited
  • 2000Making Popular Music: Musicians, Creativity and Institutions382 cited
  • 1987Rocking Around the Clock: Music Television, Postmodernism, and Consumer Culture353 cited
  • 2000Hearing Film: Tracking Identifications in Contemporary Hollywood Film Music325 cited
  • 1992Settling the Score: Music and the Classical Hollywood Film314 cited
  • 1983On Ethnographic Authority307 cited
  • 1998Shadows in the Field: New Perspectives for Fieldwork in Ethnomusicology305 cited
  • 1992Rock Culture in Liverpool: Popular Music in the Making.301 cited
  • 1994Sound and vision: the music video reader298 cited
  • 2002The anthropology of media : a reader293 cited
  • 2004Experiencing music video: aesthetics and cultural context

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281 cited

Cited by

  • 2018Vidéochoréomorphose : danses et vidéo-clips au Mali9 cited
  • 2010Bizet in Khayelitsha: U-Carmen eKhayelitsha as audio-visual transculturation8 cited
  • 2019Dance, Music Videos and Screens: Intermediality andVideochoreomorphosisin Mali and Benin7 cited
  • 2019Windows onto Other Worlds: Music and the Negotiation of Otherness in Iranian Cinema7 cited
  • 2019Cosmopolitan Sounds and Intimate Narratives in P. Ramlee’s Film Music4 cited