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On Reception of Improvised Music
16 references·1 citing·36 second hop
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References

  • 1956The Presentation of Self in Everyday Life.25,991 cited
  • 2008Liveness: performance in a mediatized culture1,677 cited
  • 2006Adorno, Theodor W.663 cited
  • 1993The Imaginary Museum of Musical Works: An Essay in the Philosophy of Music527 cited
  • 2017The Nature of Sympathy433 cited
  • 1996Improvised Music after 1950: Afrological and Eurological Perspectives419 cited
  • 2002Improvised Music after 1950: Afrological and Eurological Perspectives305 cited
  • 2005ON THE FETISH CHARACTER IN MUSIC AND THE REGRESSION OF LISTENING300 cited
  • 2001The sonic self: musical subjectivity and signification210 cited
  • 2002Essays on Music206 cited
  • 1994The Imaginary Museum of Musical Works185 cited
  • 1993Musicology and difference: Gender and sexuality in music scholarship136 cited
  • 1977Introduction to the Sociology of Music128 cited
  • 1993Narrative Agendas in "Absolute" Music: Identity and Difference in Brahms's Third Symphony69 cited
  • 1945The Bach Reader. A Life of Johann Sebastian Bach in Letters and Documents66 cited
  • 2006Doug Wright: “We Love to See Power Subverted”

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  • 2018Virtuosity/Virtuoso3 cited