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Marlowe and the Politics of Elizabethan Theatre.
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  • 1991Sexual Dissidence638 cited
  • 2006The Sultan Speaks75 cited
  • 2012The Cambridge Introduction to Christopher Marlowe50 cited
  • 2003Virgilian Models of Colonization in Shakespeare's Tempest47 cited
  • 1998Garbled Martyrdom in Christopher Marlowe's The Massacre at Paris44 cited
  • 1995Visible Bullets: Tamburlaine the Great and Ivan the Terrible41 cited
  • 2002Preposterous Conversions: Turning Turk, and its “Pauline” Rerighting22 cited
  • 2008Shylock's Sacred Nation15 cited
  • 2009Desire and dramatic form in early modern England14 cited
  • 2000Epic Transgression and the Framing of Agency in "Dido Queen of Carthage"12 cited
  • 1992What's so funny about ladies’ tailors? A survey of some male (homo)sexual types in the Renaissance11 cited
  • 2007Early Modern Tragedy, Gender and Performance, 1984–200010 cited
  • 2002Political Allegory in Late Elizabethan and Early Jacobean "Turk" Plays: Lust's Dominion and The Turke9 cited
  • 2005From Sermon to Play: Literary Representations of ‘Turks’ in Renaissance England 1550–16257 cited
  • 1991Homophobia and the Depoliticizing of Edward II

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6 cited
  • 2013Marlowe and the critics2 cited