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Tragic Narratives in Popular Culture: Depictions of Homicide in Rap Music1
16 references·3 citing·41 second hop
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this work references cited by second hop

References

  • 1995Black Noise: Rap Music and Black Culture in Contemporary America.1,444 cited
  • 2003The Influence of Media Violence on Youth966 cited
  • 1994Black noise: rap music and black culture in contemporary America889 cited
  • 2002The 'Hood Comes First: Race, Space, and Place in Rap and Hip-Hop595 cited
  • 2002The 'Hood Comes First368 cited
  • 2005Gangstas, Thugs, and Hustlas: Identity and the Code of the Street in Rap Music309 cited
  • 1997“The Chain Remain the Same” Communicative Practices in the Hip Hop Nation267 cited
  • 1993Black Studies, Rap, and the Academy253 cited
  • 1992CONSTRUCTING GENDER:197 cited
  • 1997Popular Culture as Oppositional Culture: Rap as Resistance184 cited
  • 2006The Words Have Changed but the Ideology Remains the Same: Misogynistic Lyrics in Rap Music174 cited
  • 2006Framing homicide narratives in newspapers: Mediated witness and the construction of virtual victimhood170 cited
  • 1996Rockin' Out: Popular Music in the USA169 cited
  • 2001Holler If You Hear Me: Searching for Tupac Shakur163 cited
  • 1999Rappin' on the Tyne: White Hip Hop Culture in Northeast England – An Ethnographic Study134 cited

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  • 1991"Fear of a Black Planet": Rap Music and Black Cultural Politics in the 1990s132 cited
  • Cited by

    • 2014Innovation and Diversity Redux: Analyzing Musical Form and Content in the American Recording Industry, 1990–200911 cited
    • 2014Get on the Mic: Recording Studios as Symbolic Spaces in Rap Music7 cited
    • 2020What is inside Russian rap? Topic modeling of the texts of the Russian-speaking hip-hop stage4 cited