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Between history and commodity: the production of a musical patrimony through the record in the 1920–1930s
7 references·10 citing·36 second hop
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this work references cited by second hop

References

  • 1986The Past is a Foreign Country3,632 cited
  • 1994Cultural Capital: The Problem of Literary Canon Formation878 cited
  • 2007La Passion musicale352 cited
  • 1980La notion de patrimoine203 cited
  • 1995Authenticities197 cited
  • 1978L' ecriture de l'histoire192 cited
  • 2001French Cultural Politics and Music: From the Dreyfus Affair to the First World War49 cited

Cited by

  • 2003After Adorno: rethinking music sociology28 cited
  • 2013Quando há artificação?20 cited
  • 2003Music as cognition16 cited
  • 2007The Sociology of Music13 cited
  • 2007Music and Social Experience11 cited
  • 2012The New Hunter-gatherers: Making Human Interaction Productive in the Network Society8 cited
  • 2011Estratégias de mediação cultural: Inovação e experimentação no Serviço Educativo da Casa da Música*6 cited
  • 2010“A New Pleasure”: Listening to National Gramophonic Society Records, 1924–19315 cited
  • 2014Performing the self : rappers, urban space and identity in Dar es Salaam5 cited

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  • 2017Conserver la musique enregistrée, 1877-2017. Document, œuvre, expérience : trois paradigmes témoins d’un rapport changeant à la musique2 cited