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Application and Autonomy: The Reach and Span of Contemporary Art Didactics
12 references·1 citing·30 second hop
Application and Autonomy: The Reach and Span of Contemporary Art Didactics (2013)Application and Autonomy: The Reach and S…The Performance Studies Reader (2025)The Performance Studies ReaderFrom The Emancipated Spectator (2025)From The Emancipated SpectatorThe Production of Knowledge in Artistic Research (2015)The Production of Knowledge i…The culture of curating and the curating of culture(s) (2013)The culture of curating and t…The culture of curating and the curating of culture(s) (2012)The culture of curating and t…See it Again, Say it Again : The Artist as Researcher (2011)See it Again, Say it Again : …Curating and the educational turn (2010)Curating and the educational …Applied drama: the gift of theatre (2006)Applied drama: the gift of th…Academy as Potentiality (2006)Academy as PotentialityPerformance Studies: The Broad Spectrum Approach (1988)Performance Studies: The Broa…The Anthropology of Performance (1986)The Anthropology of Performan…Victor Turner's Last Adventure (1985)Victor Turner's Last AdventureFagovergripende diskurs: en fremtid for kunstfagene i norsk skole (2017)Fagovergripende diskurs: en f…The Turn to Experience in Contemporary Art: A Potentiality for Thinking Art Education Differently (2015)Artivism and social conscience: Transforming teacher training from a sensibility standpoint (2018)Queer Curating - Zum Moment kuratorischer Störung (2022)Cultivating the art of safe space (2008)The Cambridge Introduction to Theatre Studies (2008)The politics of intention: looking for a theatre of little changes (2009)Rethinking ethnography: Towards a critical cultural politics (1991)Performing Autoethnography: An Embodied Methodological Praxis (2001)Cultural Pragmatics: Social Performance between Ritual and Strategy (2004)Deleuze and the Anthropology of Becoming (2010)Wounded cities: Memory-work and a place-based ethics of care (2011)Methodology-21: what do we do in the afterward? (2013)“Sixth Avenue is now a memory”: Regimes of spatial inscription and the performative limits of the official city-text (2008)Practice as Research in the Arts (2013)Feminist geographies of digital work (2016)Biennials that promote an ‘emancipatory politics’ (2014)Networked Co-Curation: An Exploration of the Socio-Technical Specificities of Online Curation (2019)The ‘West’ versus ‘the Rest’? Festival Curators as Gatekeepers for Sociocultural Diversity (2019)Performance: Its meaning and content for today's business research (2007)Performative Social Science: A Consideration of Skills, Purpose and Context (2008)Just-in-Time: Performance and the Aesthetics of Precarity (2012)Conceitos operativos nos estudos da performance (2012)Acts of Representation: A Labour of Love (2013)The Fate of the Dramatic in Modern Society: Social Theory and the Theatrical Avant-Garde (2013)From Caring to Creating: Curators Change Their Spots (2015)From the physical to the digital and back: Fashion exhibitions in the digital age (2016)Die Vermessung der Kunstwelt (2019)Sustainability science as if the world mattered: sketching an art contribution by comparison (2017)Soft Robotics and Posthuman Entities (2020)Embodying the Algorithm (2023)
this work references cited by second hop

References

  • 1986The Anthropology of Performance2,586 cited
  • 2025From The Emancipated Spectator1,648 cited
  • 2025The Performance Studies Reader382 cited
  • 2006Applied drama: the gift of theatre293 cited
  • 2013The culture of curating and the curating of culture(s)161 cited
  • 2010Curating and the educational turn156 cited
  • 2012The culture of curating and the curating of culture(s)96 cited
  • 1988Performance Studies: The Broad Spectrum Approach96 cited
  • 2015The Production of Knowledge in Artistic Research84 cited
  • 1985Victor Turner's Last Adventure44 cited
  • 2011See it Again, Say it Again : The Artist as Researcher37 cited
  • 2006Academy as Potentiality32 cited

Cited by

  • 2017Fagovergripende diskurs: en fremtid for kunstfagene i norsk skole7 cited

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