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The Effect of Various Instructional Conditions on Expressive Music Performance
11 references·16 citing·40 second hop
The Effect of Various Instructional Conditions on Expressive Music Performance (2006)The Effect of Various Instructional Condi…Music Education Research (2016)Music Education ResearchThe Acquisition of Musical Performance Expertise: Deconstructing the ‘Talent’ Account of Individual Differences in Musical Expressivity (2004)The Acquisition of Musical Pe…Areas of Study and Teaching Strategies in Instrumental Teaching: a case study research project (2003)Areas of Study and Teaching S…“Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity (2003)“Expressivity comes from with…The Science and Psychology of Music Performance Creative Strategies for Teaching and Learning (2002)The Science and Psychology of…Emotion, Imagery and Metaphor in the Acquisition of Musical Performance Skill (2002)Emotion, Imagery and Metaphor…Learning Expressivity in Music Performance: An Exploratory Study (2000)Learning Expressivity in Musi…Improving Emotional Communication in Music Performance through Cognitive Feedback (2000)Improving Emotional Communica…Speaking of Music: The Use of Motor-Affective Metaphors in Music Instruction (1998)Speaking of Music: The Use of…Brilliant performers as teachers: A case study of commonsense teaching in a conservatoire setting (1996)Brilliant performers as teach…A Review of Research on Modeling in Music Teaching and Learning. (1992)A Review of Research on Model…Instrument teachers’ practices, beliefs, and barriers regarding musical creativity: Exploring the creative process of interpretation (2023)Instrument teachers’ practice…Developing metacognition as an instructional approach for enhancing young pianists’ musical expressivity (2022)Developing metacognition as a…Theoretical Framework for Facilitating Young Musicians’ Learning of Expressive Performance (2021)Theoretical Framework for Fac…Young Musicians' Learning of Expressive Performance: The Importance of Dialogic Teaching and Modeling (2020)Young Musicians' Learning of …Emotion-related words and emotional analogies as teaching strategies for expressivity (2020)Emotion-related words and emo…Comparison of beliefs about teaching and learning of emotional expression in music performance between Spanish and English HE students of music (2019)Comparison of beliefs about t…“Give me actual music stuff!”: The nature of feedback in a collegiate songwriting class (2019)“Give me actual music stuff!”…Teaching young musicians expressive performance: an experimental study (2018)Teaching young musicians expr…Teacher–student physical contact as an approach for teaching guitar in the master class context (2017)Teacher–student physical cont…Recordings as learning and practising resources for performance: Exploring attitudes and behaviours of music students and professionals (2016)Recordings as learning and pr…Instrumental teachers’ instructional strategies for facilitating children’s learning of expressive music performance: An exploratory study (2016)Instrumental teachers’ instru…The influences of presentation modes and conducting gestures on the perceptions of expressive choral performance of high school musicians attending a summer choral camp (2012)The influences of presentatio…The Effects of a Positive Mindset Trigger Word Pre-Performance Routine on the Expressive Performance of Junior High Age Singers (2012)The Effects of a Positive Min…Exploration and Improvisation: The Use of Creative Strategies in Instrumental Teaching (2010)Exploration and Improvisation…Adolescent Musicians' Perceptions of Conductors Within Musical Context (2009)Adolescent Musicians' Percept…Musicians' Cognitive Processing of Imagery-Based Instructions for Expressive Performance (2006)Musicians' Cognitive Processi…Essay on the True Art of Playing Keyboard Instruments (1949)The Aesthetics of Music (1981)Play it again with feeling: Computer feedback in musical communication of emotions. (2006)Psychology for Musicians (2007)Musical expression: an observational study of instrumental teaching (2008)Philosophy of Music Education (2013)Music, Mind, and Education (1989)Handbook of Research on Music Teaching and Learning (1992)Teaching Music Musically (1999)Action, Criticism and Theory for Music Education (2004)Handbook of Self-Regulation of Learning and Performance (2017)Teachers’ involvement and students’ self-efficacy: Keys to achievement in higher education (2019)Emotion and Meaning in Music (1961)The Measurement of Observer Agreement for Categorical Data (1977)Emotion and Meaning in Music (1957)Philosophy in a New Key (1957)Instrumental music teachers' views on expressivity: a report from music conservatoires (2004)Emotion and Motivation in the Lives of Performers (2010)Performers’ experienced emotions in the construction of expressive musical performance: An exploratory investigation (2010)Vocal Expression Of Emotion (2002)Mastery through imitation: A preliminary study (2005)Musical Meaning and Expression (2020)Family Dynamics and Family Scripts: A Case Study of Musical Development (2002)What Are Musical Identities, And Why Are They Important? (2002)Cognition and the Body: Perspectives from Music Education (2004)Self-Regulation of Musical Learning (2011)Class, Control, and Classical Music (2019)A hybrid learning pedagogy for surmounting the challenges of the COVID-19 pandemic in the performing arts education (2021)An Investigation of Reinforcements, Time Use, and Student Attentiveness in Piano Lessons (1984)The Relative Effects of Guided Model, Model Only, Guide Only, and Practice Only Treatments on the Accuracy of Advanced Instrumentalists' Musical Performance (1984)Explaining Expressive Performance: Component Cognitive Skills in an Aural Modeling Task (2003)Traits of Effective Teachers (2006)Music Performance Research at the Millennium (2003)When passion leads to excellence: the case of musicians (2010)Self-determination theory: An approach to motivation in music education (2015)On musicians and singers. An investigation of different approaches taken by vocal and instrumental teachers in higher education (2006)Sensory Linguistics (2019)Talent and its development: An emergenic and epigenetic model. (1999)The Influence of the Family in the Development of Talent in Sport (1999)The Four-Phase Model of Interest Development (2006)
this work references cited by second hop

References

  • 2002The Science and Psychology of Music Performance Creative Strategies for Teaching and Learning395 cited
  • 2003“Expressivity comes from within your soul”: A questionnaire study of music students' perspectives on expressivity174 cited
  • 2000Learning Expressivity in Music Performance: An Exploratory Study154 cited
  • 2004The Acquisition of Musical Performance Expertise: Deconstructing the ‘Talent’ Account of Individual Differences in Musical Expressivity141 cited
  • 2002Emotion, Imagery and Metaphor in the Acquisition of Musical Performance Skill115 cited
  • 2000Improving Emotional Communication in Music Performance through Cognitive Feedback115 cited
  • 2003Areas of Study and Teaching Strategies in Instrumental Teaching: a case study research project107 cited
  • 1998Speaking of Music: The Use of Motor-Affective Metaphors in Music Instruction96 cited
  • 1992A Review of Research on Modeling in Music Teaching and Learning.92 cited
  • 2016Music Education Research92 cited
  • 1996Brilliant performers as teachers: A case study of commonsense teaching in a conservatoire setting85 cited

Cited by

  • 2006Musicians' Cognitive Processing of Imagery-Based Instructions for Expressive Performance50 cited
  • 2016Instrumental teachers’ instructional strategies for facilitating children’s learning of expressive music performance: An exploratory study45 cited

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  • 2020Young Musicians' Learning of Expressive Performance: The Importance of Dialogic Teaching and Modeling41 cited
  • 2016Recordings as learning and practising resources for performance: Exploring attitudes and behaviours of music students and professionals33 cited
  • 2019Comparison of beliefs about teaching and learning of emotional expression in music performance between Spanish and English HE students of music33 cited
  • 2021Theoretical Framework for Facilitating Young Musicians’ Learning of Expressive Performance31 cited
  • 2012The influences of presentation modes and conducting gestures on the perceptions of expressive choral performance of high school musicians attending a summer choral camp30 cited
  • 2018Teaching young musicians expressive performance: an experimental study29 cited
  • 2020Emotion-related words and emotional analogies as teaching strategies for expressivity24 cited
  • 2019“Give me actual music stuff!”: The nature of feedback in a collegiate songwriting class24 cited
  • 2012The Effects of a Positive Mindset Trigger Word Pre-Performance Routine on the Expressive Performance of Junior High Age Singers24 cited
  • 2017Teacher–student physical contact as an approach for teaching guitar in the master class context16 cited
  • 2023Instrument teachers’ practices, beliefs, and barriers regarding musical creativity: Exploring the creative process of interpretation12 cited
  • 2010Exploration and Improvisation: The Use of Creative Strategies in Instrumental Teaching10 cited
  • 2009Adolescent Musicians' Perceptions of Conductors Within Musical Context8 cited
  • 2022Developing metacognition as an instructional approach for enhancing young pianists’ musical expressivity8 cited