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Facilitating musical composition as ‘contract learning’ in the classroom: the development and application of a teaching resource for primary school teachers in the UK
12 references·4 citing·36 second hop
Facilitating musical composition as ‘contract learning’ in the classroom: the development and application of a teaching resource for primary school teachers in the UK (2009)Facilitating musical composition as ‘cont…How Popular Musicians Learn (2017)How Popular Musicians LearnCase Study Research (Education) (2009)Case Study Research (Educatio…The impact of informal music learning practices in the classroom, or how I learned how to teach from a garage band (2004)The impact of informal music …Teacher intervention strategies in the composing processes of lower secondary school students (2004)Teacher intervention strategi…Issues in Music Teaching (2004)Issues in Music TeachingConference Keynotes: Asking music students to reflect on their creative work: encouraging the revision process (2003)Conference Keynotes: Asking m…The Nature of Shared Musical Understanding and Is Role in Empowering Independent Musical Thinking. (2000)The Nature of Shared Musical …Emotional development and emotional intelligence: Educational implications. (1997)Emotional development and emo…Using Learning Contracts (1988)Using Learning ContractsEducating the reflective practitioner (1987)Educating the reflective prac…Theory in Practice: Increasing Professional Effectiveness (1976)Theory in Practice: Increasin…Theory in Practice: Increasing Professional Effectiveness. (1975)Theory in Practice: Increasin…‘Bridging the gap’: the role of an arts broker in supporting partnerships with teachers (2022)‘Bridging the gap’: the role …The potential of arts partnerships to support teachers: learning from the field (2021)The potential of arts partner…Seizing the dynamic moment in situation-originated learning: The origin of songcrafting examined through Dewey's theory of inquiry (2012)Seizing the dynamic moment in…Is it possible to teach music composition today? A search for the challenges of teaching music composition to student composers in a tertiary context (2011)Is it possible to teach music…How Musical Is Man? (1976)Handbook of Research on Music Teaching and Learning (1992)The New Handbook Of Research On Music Teaching And Learning (2004)Popular music pedagogy: peer learning in practice (2008)Collaborative learning in higher music education (2014)Engaging students in creative music making with musical instrument application in an online flipped classroom (2021)The Modern American College (1981)THE ROLE OF SELF‐ASSESSMENT IN STUDENT GRADING (1989)Assessing the impact of learning environments on students' approaches to learning: comparing conventional and action learning designs (2004)Journal of Counselor Preparation and Supervision (2026)Mind in Society: The Development of Higher Psychological Processes (1978)Basics of Qualitative Research: Grounded Theory Procedures and Techniques. (1992)The Tacit Dimension (1997)Group Composing: pupil perceptions from a social psychological study (2003)Music and eJay: An opportunity for creative collaborations in the classroom (2008)Improvisational Practices in Elementary General Music Classrooms (2013)Stories of Experience and Narrative Inquiry (1990)Organizational Learning and Communities-of-Practice: Toward a Unified View of Working, Learning, and Innovation (1991)Technological Pedagogical Content Knowledge: A Framework for Teacher Knowledge (2006)The Argumentative Turn in Policy Analysis and Planning (1993)An Integrative Framework for Collaborative Governance (2011)Learning by Expanding (2014)The dominant logic: A new linkage between diversity and performance (1986)A Participatory Inquiry Paradigm (1997)Knowledge and Organization: A Social-Practice Perspective (2001)Student-generated questions: A meaningful aspect of learning in science (2002)Becoming a teacher educator: evidence from the field (2005)Exploring the Exemplary STEAM Education in the U.S. as a Practical Educational Framework for Korea (2012)Can improvisation be ‘taught’?: A call for free improvisation in our schools (2009)Editorial: The Impact of Music on Human Development and Well-Being (2020)Affective Social Competence (2001)Emotional Intelligence and Interpersonal Relations (2001)Emotional intelligence and its relation to everyday behaviour (2003)MUSIC EDUCATION AND LAW: REGULATION AS AN INSTRUMENT (2003)Innovations in piano teaching: a small‐group model for the tertiary level (2004)Technologically mediated composition learning: Josh's story (2008)
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References

  • 1987Educating the reflective practitioner11,394 cited
  • 1976Theory in Practice: Increasing Professional Effectiveness4,083 cited
  • 1997Emotional development and emotional intelligence: Educational implications.2,023 cited
  • 1975Theory in Practice: Increasing Professional Effectiveness.1,273 cited
  • 2009Case Study Research (Education)1,154 cited
  • 1988Using Learning Contracts259 cited
  • 2017How Popular Musicians Learn223 cited
  • 2004The impact of informal music learning practices in the classroom, or how I learned how to teach from a garage band177 cited
  • 2000The Nature of Shared Musical Understanding and Is Role in Empowering Independent Musical Thinking.38 cited
  • 2004Issues in Music Teaching32 cited
  • 2004Teacher intervention strategies in the composing processes of lower secondary school students30 cited
  • 2003Conference Keynotes: Asking music students to reflect on their creative work: encouraging the revision process19 cited

Cited by

  • 2021The potential of arts partnerships to support teachers: learning from the field10 cited
  • 2011Is it possible to teach music composition today? A search for the challenges of teaching music composition to student composers in a tertiary context8 cited

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2012
Seizing the dynamic moment in situation-originated learning: The origin of songcrafting examined through Dewey's theory of inquiry
6 cited
  • 2022‘Bridging the gap’: the role of an arts broker in supporting partnerships with teachers6 cited