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The Musical Experience of Composer, Performer, Listener
0 references·16 citing·57 second hop
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Cited by

  • 1981A social interaction model of reading∗75 cited
  • 1990Images of Imagination49 cited
  • 2020Harmonic, Syntactic, and Motivic Parameters of Phrase in Hip-Hop46 cited
  • 2008Rethinking the Digital Remix: Mash‐ups and the Metaphysics of Sound Recording45 cited
  • 2002Timing and Music44 cited
  • 2006Creativity in Music Listening34 cited
  • 1990Interpreting Musical Analogy: From Rhetorical Device to Perceptual Process23 cited
  • 1981The Authority of Music Criticism23 cited
  • 1993On Building Social Theories of Music Education.16 cited
  • 2014On Musical Performance as Play12 cited
  • 1977The Language of Music9 cited
  • 2006"This-with-That": A Dialectical Approach to Teaching for Musical Imagination8 cited
  • 1988Reaching the Young Child Through Music: Howard Gardner's Theory of Multiple Intelligences as Model7 cited
  • 1992Joan Tower's Wings and Breakfast Rhythms I and II: Some Thoughts on Form and Repetition7 cited
  • 2007Beethoven and the Double Bar5 cited
  • 2013

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Values of Music
5 cited