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"I Think I Wrote a Folksong": Popularity and Regional Vernacular Anthems
16 references·0 citing·29 second hop
"I Think I Wrote a Folksong": Popularity and Regional Vernacular Anthems (2002)"I Think I Wrote a Folksong": Popularity …Postmodernism and Consumer Society (2001)Postmodernism and Consumer So…Bringing It All Back Home: Essays on Cultural Studies (1997)Bringing It All Back Home: Es…Subculture: The Meaning of Style (1995)Subculture: The Meaning of St…Music for Pleasure (1994)Music for PleasureStudying Popular Music (1990)Studying Popular MusicOn Record: Rock, Pop and the Written Word (1990)On Record: Rock, Pop and the …Why do songs have words? (1989)Why do songs have words?The study of folk music in the modern world (1989)The study of folk music in th…Studies in Entertainment: Critical Approaches to Mass Culture (1987)Studies in Entertainment: Cri…Narrative as Expository Discourse (1986)Narrative as Expository Disco…Is there rock after punk? (1986)Is there rock after punk?Introduction to the Sociology of Music. (1977)Introduction to the Sociology…Introduction to the Sociology of Music (1977)Introduction to the Sociology…Sing Your Heart Out, Country Boy (1975)Sing Your Heart Out, Country …Social and Economic Studies (1968)Social and Economic StudiesSelected Papers on Folklore (1951)Selected Papers on FolkloreProblems of Capital Formation in Underdeveloped Countries. (1955)Value priorities and readiness for out-group social contact. (1995)Social Capital: Prospects for a New Concept (2002)Primitive accumulation, accumulation by dispossession, accumulation by ‘extra-economic’ means (2006)Public Pedagogy and the Politics of Resistance: Notes on a critical theory of educational struggle (2003)Rethinking Critical Theory and Qualitative Research (2011)Affective publics and structures of storytelling: sentiment, events and mediality (2015)Club cultures: music, media and subcultural capital (1996)SUBCULTURES OR NEO‐TRIBES? RETHINKING THE RELATIONSHIP BETWEEN YOUTH, STYLE AND MUSICAL TASTE (1999)Understanding sponsorship effects (2001)Classification in Art (1987)"Anything But Heavy Metal": Symbolic Exclusion and Musical Dislikes (1996)Understanding Popular Culture (2006)Music and Language (1994)From lyric to anti-lyric: analyzing the words in pop song (2003)Popular music analysis: ten apothegms and four instances (2003)Of cargo and satellites: Imagined cosmopolitanism (1999)Culture, Globalization, Mediation (2004)Consuming Orientalism: Images of Asian/American Women in Multicultural Advertising (2005)Music as a technology of the self (1999)Tweets and the Streets : Social Media and Contemporary Activism (2012)Music Revivals: Towards a General Theory (1999)Wired for sound: engineering and technologies in sonic cultures (2005)Musical Communities: Rethinking the Collective in Music (2011)Music in Everyday Life (2000)The Mediatization of Society (2008)Poststructural feminism in education: An overview (2000)Stuart Hall: Critical Dialogues in Cultural Studies (2006)A dialogical approach to conceptualizing teacher identity (2010)
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References

  • 1995Subculture: The Meaning of Style3,813 cited
  • 1968Social and Economic Studies1,735 cited
  • 1990On Record: Rock, Pop and the Written Word755 cited
  • 2001Postmodernism and Consumer Society701 cited
  • 1977Introduction to the Sociology of Music.663 cited
  • 1987Studies in Entertainment: Critical Approaches to Mass Culture625 cited
  • 1990Studying Popular Music606 cited
  • 1997Bringing It All Back Home: Essays on Cultural Studies420 cited
  • 1989The study of folk music in the modern world191 cited
  • 1989Why do songs have words?154 cited
  • 1977Introduction to the Sociology of Music128 cited
  • 1986Is there rock after punk?117 cited
  • 1951Selected Papers on Folklore89 cited
  • 1994Music for Pleasure86 cited
  • 1975Sing Your Heart Out, Country Boy51 cited
  • 1986Narrative as Expository Discourse37 cited

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